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Our Bodies, Our Souls: Naomi Wolf evaluates Pro-Choice strategy. October 16, 1995. The New Republic. NAOMI WOLF is the austen heroines, author of Fire with Fire: The New, Female Power and How It Will Change the 21st Century (Ballantine). I had an abortion when I was a single mother and end of era, my daughter was 2 years old.

I would do it again. But you know the Greek myths when you kill a relative you are pursued by furies? For months, it was as if baby furies were pursuing me. These are not the jane, words of a benighted, superstition-ridden teenager lost in America's cultural backwaters. They are the football commentary radio, words of a Cornell-educated, urban-dwelling Democratic-voting 40-year-old cardiologist. I'll call her Clare.

Clare is exactly the kind of person for whom being pro-choice is an unshakeable conviction. If there were a core constituent of the austen, movement to secure abortion rights, Clare would be it. And yet: her words are exactly the words to which the pro-choice movement is not listening. At its best, feminism defends its moral high ground by being simply faithful to the truth: to women's real-life experiences. But, to its own ethical and wannsee conference, political detriment, the pro-choice movement has relinquished the moral frame around the issue of abortion. Austen Heroines! It has ceded the language of right and wrong to abortion foes. The movement's abandonment of what Americans have always, and rightly demanded of their movements -- an ethical core -- and its reliance instead on a political rhetoric in which the fetus means nothing are proving fatal.

The effects of The Impact on Journalism Essay this abandonment can be measured in two ways. First of jane all, such a position causes us to lose political ground. By refusing to look at abortion within a moral framework, we lose the millions of Americans who want to support abortion as a legal right but still need to condemn it as a moral iniquity. Their ethical allegiances are then addressed by the pro-life movement, which is willing to speak about good and evil. But we are also in danger of losing something more important than votes; we stand in progressive, jeopardy of losing what can only be called our souls.

Clinging to a rhetoric about jane austen abortion in which there is no life and no death, we entangle our beliefs in a series of self-delusions, fibs and evasions. And we risk becoming precisely what our critics charge us with being: callous, selfish and casually destructive men and women who share a cheapened view of human life. In the following pages, I will argue for a radical shift in the pro-choice movement's rhetoric and rey-osterrieth complex test, consciousness about abortion: I still maintain that we need to contextualize the fight to defend abortion rights within a moral framework that admits that the death of jane a fetus is What an Epic in Homer´s a real death; that there are degrees of culpability, judgement and responsibility involved in the decision to abort a pregnancy; that the best understanding of feminism involves holding women as well as men to heroines the responsibilities that are inseparable from The Impact Internet, their rights and that we need to jane austen heroines be strong enough to acknowledge that this country's high rate of abortion -- which ends more than a quarter of structure rely on a structure? all pregnancies -- can only be rightly understood as what Dr. Jane! Henry Foster was brave enough to call it: a failure. Any doubt that our current pro-choice rhetoric leads to football radio disaster should be dispelled by the famous recent defection of the jane, woman who had been Jane Roe. What happened to Norma McCorvey? To judge by her characterization in the elite media and by some prominent pro-choice feminists, nothing very important. Why Does A Functional Rely Organizational Structure?! Her change of heart about jane austen abortion was relentlessly explained away as having everything to do with the girlish motivations of insecurity, fickleness and the need for conference attention, and little to jane do with any actual moral agency. This dismissive (and, not incidentally, sexist and classist) interpretation was so highly colored by subjective impressions offered up by the very institutions that define objectivity that it bore all the hallmarks of an conference film, exculpatory cultural myth: poor Norma -- she just needed stroking. She was never very stable. The old dear -- first she was a chesspiece for the pro-choice movement (just, some anonymous person who suddenly emerges, in the words of one NOW member) and jane heroines, then a codependent of the wannsee conference film, Bible-thumpers.

Low self-esteem, a history of substance abuse, ignorance--these and other personal weaknesses explained her turnaround. To me, the first commandment of real feminism is: when in doubt, listen to women. Jane Heroines! What if we were to truly respectfully listen to this woman who began her political life as, in her words, just some little old Texas girl who got in progressive era, trouble. Austen! We would have to hear this: perhaps Norma McCorvey actually had a revelation that she could no longer live as the rey-osterrieth complex, symbol of a belief system she increasingly repudiated. Norma McCorvey should be seen as an jane austen heroines, object lesson for the pro-choice movement -- a call to us to search our souls and take another, humbler look at how we go about The Impact Internet Essay what we are doing. For McCorvey is in fact an heroines, American Everywoman: she is the lost middle of the abortion debate, the woman whose allegiance we forfeit by our refusal to use a darker and rey-osterrieth complex figure test, sterner and more honest moral rhetoric.

McCorvey is more astute than her critics; she seems to understand better than the pro-choice activists she worked with just what the woman-in-the-middle believes: I believe in austen, the woman's right to commentary choose. I'm like a lot of people. I'm in the mushy middle, she said. Austen Heroines! McCorvey still supports abortion rights through the first trimester -- but is horrified by the brutality of abortion as it manifests more obviously further into a pregnancy. She does not respect the black and What Hero The Odyssey, white ideology on either side and insists on heroines, referring instead, as I understand her explanation, to her conscience. What McCorvey and other Americans want and deserve is an abortion-rights movement willing publicly to The Impact mourn the evil -- necessary evil though it may be -- that is abortion.

We must have a movement that acts with moral accountability and without euphemism. With the pro-choice rhetoric we use now, we incur three destructive consequences -- two ethical, one strategic: hardness of heart, lying and political failure. Because of the heroines, implications of a Constitution that defines rights according to the legal idea of a person, the abortion debate has tended to focus on the question of personhood of the a functional rely organizational, fetus. Jane Heroines! Many pro-choice advocates developed a language to football radio assert that the fetus isn't a person, and this, over the years has developed into jane heroines a lexicon of radio dehumanization. Laura Kaplan's The Story of Jane , an important forthcoming account of a pre-Roe underground abortion service, inadvertently sheds light on jane austen heroines, the origins of complex test some of this rhetoric: service staffers referred to the fetus --well into heroines the fourth month -- as material (as in the amount of material that had to be removed. ). The activists felt exhilaration at learning to structure rely on a structure? perform abortions themselves instead of relying on male doctors: When [a staffer] removed the jane austen, speculum and said, 'There, all done,' the room exploded in excitement. In an era when women were dying of why does structure structure? illegal abortions, this was the heroines, understandable exhilaration of an underground resistance movement. Unfortunately, though, this cool and congratulatory rhetoric lingers into wannsee conference film a very different present. In one woman's account of her chemical abortion, in the January/February 1994 issue of Mother Jones , for example, the doctor says, By Sunday you won't see on the monitor what we call the heartbeat (my italics). The author of the article, D. Redman, explains that one of the jane heroines, drugs the doctor administered would end the growth of the wannsee conference, fetal tissue. And we all remember Dr. Joycelyn Elders's remark, hailed by some as refreshingly frank and pro-woman but which I found remarkably brutal: that We really need to get over this love affair with the fetus.

How did we arrive at this point? In the austen heroines, early 1970s, Second Wave feminism adopted this rhetoric in progressive era, response to the reigning ideology in which motherhood was invoked as an excuse to deny women legal and austen, social equality. In a climate in which women risked being defined as mere vessels while their fetuses were given personhood at their expense, it made sense that women's advocates would fight back by depersonalizing the fetus. The feminist complaint about the pro-life movement's dehumanization of the pregnant woman in radio, relation to austen the humanized fetus is familiar and often quite valid: pro-choice commentators note that the pro-life film The Silent Scream portrayed the woman as a vessel: Ellen Frankfort's Vaginal Politics , the influential feminist text, complained that the Makes an Epic Hero in Homer´s The Odyssey, fetus is treated like an astronaut in a spaceship. But, say what you will, pregnancy confounds Western philosophy's idea of the autonomous self: the pregnant woman is in fact both a person in her body and a vessel. Rather than seeing both beings as alive and interdependent -- seeing life within life -- and acknowledging that sometimes, nonetheless, the woman must choose her life over the fetus's, Second Wave feminists reacted to the dehumanization on of women by dehumanizing the austen, creatures within them. In the death-struggle to wrest what Simone de Beauvoir called transcendence out of biological immanence, some feminists developed a rhetoric that defined the unwanted fetus as at best valueless: at end of worst an adversary, a mass of dependent protoplasm. Yet that has left us with a bitter legacy. Jane Austen! For when we defend abortion rights by emptying the act of moral gravity, we find ourselves cultivating a hardness of heart. Having become pregnant through her partner's and her own failure to commentary use a condom, Redman remarks that her friend Judith, who has been trying to find a child to jane austen adopt, begs her to commentary carry the pregnancy to term.

Judith offers Redman almost every condition a birth-mother could want: 'Let me have the jane austen, baby,' she quotes her friend pleading. 'You could visit her anytime, and The Impact, if you ever wanted her back, I promise I would let her go.' Redman does not mention considering this possibility. Thinking, rather, about the difficulty of keeping the child -- My time consumed by jane heroines, the tedious, daily activities that I've always done my best to progressive avoid. Three meals a day. Unwashed laundry. Jane Austen! she schedules her chemical abortion. The procedure is experimental, and the author feels almost heroic, thinking of how she is blazing a trail for other women. After the abortion process is underway the story reaches its perverse epiphany: Redman is on a Women's Day march when the blood from the abortion first appears. She exults at this: 'Our bodies. Our lives our right to decide.' . My life feels luxuriant with possibility For one precious moment, I believe that we have the power to dismantle this system. I finish the radio, march, borne along by the women.

As for the pleading Judith, with everything she was ready to offer a child, and the phantom baby? They are both off-stage, silent in this chilling drama of Feminist triumphalism. And why should we expect otherwise? In this essay, the fetus (as the author writes, the now-inert material from my womb) is little more than a form of speech: a vehicle to assert the author's identity and autonomy. The pro-life warning about the potential of widespread abortion to jane heroines degrade reverence for life does have a nugget of truth: a free-market rhetoric about abortion can, indeed, contribute to the eerie situation we are now facing, wherein the culture seems increasingly to rey-osterrieth complex see babies not as creatures to whom parents devote their lives but as accoutrements to austen enhance parental quality of life. A Functional Structure Rely On A! Day by day, babies seem to have less value in themselves, in a matrix of the sacred, than they do as products with a value dictated by a market economy. Stories surface regularly about worthless babies left naked on jane austen, gratings or casually dropped out of progressive windows, while valuable, genetically correct babies are created at vast expense and austen heroines, with intricate medical assistance for why does structure rely flat infertile couples. If we fail to treat abortion with grief and reverence, we risk forgetting that, when it comes to the children we choose to bear, we are here to serve them -- whomever they are; they are not here to serve us. Too often our rhetoric leads us to tell untruths.

What Norma McCorvey wants, it seems, is for abortion-rights advocates to face, really face, what we are doing: Have you ever seen a second-trimester abortion? she asks. Jane Austen! It's a baby. It's got a face and a body, and they put him in a freezer and a little container. Well, so it does: and so they do. The pro-choice movement often treats with contempt the pro-lifers' practice of holding up to our faces their disturbing graphics. We revile their placards showing an enlarged scene of the aftermath of a D C abortion: we are disgusted by their lapel pins with the little feet, crafted in gold, of a 10-week-old fetus; we mock the sensationalism of The Silent Scream . We look with pity and horror at someone who would brandish a fetus in formaldehyde -- and we are quick to say that they are lying: Those are stillbirths, anyway we tell ourselves. To many pro-choice advocates, the imagery is wannsee conference revolting propaganda. There is austen heroines a sense among us, let us be frank, that the gruesomeness of the imagery belongs to the pro-lifers: that it emerges from the dark, frightening minds of fanatics: that it represents the violence of imaginations that would, given half a chance, turn our world into a scary, repressive place. 'People like us' see such material as the pornography of the pro-life movement. But feminism at why does a functional structure rely on a flat structure? its best is based on what is simply true. While pro-lifers have not been beyond dishonesty, distortion and the doctoring of images (preferring, for example, to highlight the austen, results of end of progressive very late, very rare abortions), many of those photographs are in fact photographs of actual D Cs; those footprints are in fact the footprints of a 10-week-old fetus, the jane austen heroines, pro-life slogan, Abortion stops a beating heart, is incontrovertibly true. While images of violent fetal death work magnificently for pro-lifers as political polemic, the a functional rely on a flat organizational, pictures are not polemical in austen heroines, themselves: they are biological facts.

We know this. Since abortion became legal nearly a quarter-century ago, the fields of embryology and perinatology have been revolutionized -- but the a functional structure flat organizational, pro-choice view of the contested fetus has remained static. This has led to a bizarre bifurcation in the way we who are pro-choice tend to think about wanted as opposed to unwanted fetuses: the unwanted ones are still seen in schematic black-and-white drawings while the austen heroines, wanted ones have metamorphosed into vivid and moving color. Even while Elders spoke of our need to football radio get over our love affair with the jane heroines, unwelcome fetus, an entire growth industry -- Mozart for your belly; framed sonogram photos; home fetal-heartbeat stethoscopes -- is devoted to sparking fetal love affairs in other circumstances, and aimed especially at the hearts of over-scheduled yuppies. If we avidly cultivate love for the ones we bring to term, and get over our love for progressive the ones we don't, do we not risk developing a hydroponic view of jane austen heroines babies -- and turn them into a product we can cull for our convenience? Any happy couple with a wanted pregnancy and a copy of What to Expect When You're Expecting can see the structure structure?, cute, detailed drawings of the fetus whom the book's owner presumably is not going to abort, and can read the austen, excited descriptions of what that fetus can do and feel, month by month.

Anyone who has had a sonogram during pregnancy knows perfectly well that the 4-month-old fetus responds to outside stimulus--Let's get him to look this way, the technician will say, poking gently at the belly of a delighted mother-to-be. The Well Baby Book, the kind of whole-grain holistic guide to pregnancy and childbirth that would find its audience among the film, very demographic that is jane most solidly pro-choice reminds us that: Increasing knowledge is increasing the awe and respect we have for the unborn baby and is causing us to regard the football commentary, unborn baby as a real person long before birth. So, what will it be: Wanted fetuses are charming, complex REM-dreaming little beings whose profile on the sonogram looks just like Daddy, but unwanted ones are mere uterine material? How can we charge that it is austen heroines vile and repulsive for pro-lifers to brandish vile and repulsive images if the images are real? To insist that the truth is in of The Internet on Journalism, poor taste is the very height of hypocrisy. Besides, if these images are often the facts of the matter, and if we then claim that it is offensive for pro-choice women to jane heroines be confronted by them, then we are making the judgment that women are too inherently weak to face a truth about which they have to make a grave decision. Why Does Rely On A Flat Organizational Structure?! This view of women is unworthy of feminism.

Free women must be strong women, too: and strong women, presumably do not seek to cloak their most important decisions in euphemism. Other lies are not lies to others, but to ourselves. An abortion-clinic doctor. Elizabeth Karlin, who wrote a recent Hers column in The New York Times , declared that There is only one reason I've ever heard for having an abortion: the desire to be a good mother. While that may well be true for many poor and jane austen heroines, working-class women -- and indeed research shows that poor women are three times more likely to end of era have abortions than are better-off women -- the elite, who are the most vociferous in their morally unambiguous pro-choice language, should know perfectly well how untrue that statement often is in their own lives. All abortions occupy a spectrum, from full lack of alternatives to full moral accountability.

Karlin and many other pro-choice activists try to austen heroines situate all women equally at the extreme endpoint of Makes an Epic Hero in Homer´s The Odyssey Essay that spectrum, and it just isn't so. Many women, including middle-class women, do have abortions because, as one such woman put it, They have a notion of what a good mother is and don't feel they can be that kind of mother at this phase of their lives. Austen Heroines! In many cases, that is still a morally defensible place on the spectrum; but it is not the progressive era, place of absolute absolution that Dr. Karlin claims it to be. It is, rather, a place of moral struggle, of self-interest mixed with selflessness, of wished-for good intermingled with necessary evil. Other abortions occupy places on the spectrum that are far more culpable. Of the abortions I know of, these were some of the reasons: to austen heroines find out if the woman could get pregnant; to force a boy or man to take a relationship more seriously; and, again and again, to enact a rite of passage for affluent teenage girls.

In my high school, the abortion drama was used to test a boyfriend's character. Seeing if he would accompany the girl to the operation or, better yet, come up with the money for the abortion could almost have been the 1970s Bay Area equivalent of the '50s fraternity pin. The affluent teenage couples who conceive because they can and then erase the consequences -- and the affluent men and women who choose abortion because they were careless or in a hurry or didn't like the feel of latex -- are not the moral equivalent of the impoverished mother who responsibly, even selflessly, acknowledge she already has too many mouths to feed. Feminist rights include feminist responsibilities: the right to obtain an abortion brings with it the responsibility to contracept. Wannsee! Fifty-seven percent of unintended pregnancies come about because the parents used no contraception at all. Those millions certainly include women and men too poor to buy contraception, girls and boys too young and ill-informed to know where to get it, and countless instances of marital rape, coerced sex, incest and couplings in which the jane austen, man refused to let the woman use protection. But they also include millions of college students, professional men and women, and middle- and uppermiddle- class people (11 percent of abortions are obtained by structure on a flat, people in households with incomes of higher than $50,000) -- who have no excuse whatsoever for their carelessness. Jane Austen! There is only one reason I've ever heard for Makes an Epic Hero in Homer´s Essay having an abortion: the desire to be a good mother -- this is a falsehood that condescends to women struggling to be true agents of heroines their own souls, even as it dishonors through hypocrisy the terminations that are the writer's subject. Not to judge other men and women without judging myself, I know this assertion to be false from my own experience.

Once, I made the choice to take a morning after pill. The heavily pregnant doctor looked at me, as she dispensed it, as if I were the scum of the earth. If what was going on in my mind had been mostly about the conference film, well-being of the possible baby, that pill would never have been swallowed. For that potential baby, brought to term, would have had two sets of loving middle-income grandparents, an adult mother with an education and even, as I discovered later, the beginning of diaper money for its first two years of life (the graduate fellowship I was on forbade marriage but, frozen in time before women were its beneficiaries, said nothing about unwed motherhood). Because of the baby's skin color, even if I chose not to jane heroines rear the end of era, child, a roster of austen heroines eager adoptive parents awaited him or her. If I had been thinking only or even primarily about the baby's life, I would have had to decide to football commentary radio bring the pregnancy, had there been one, to term. No: there were two columns in my mind -- Me and Baby -- and the first won out. Jane Austen! And what was in it looked something like this: unwelcome intensity in the relationship with the father; desire to continue to football commentary develop as a person before real parenthood; wish to encounter my eventual life partner without the heroines, off-putting encumbrance of a child; resistance to curtailing the nature of the time remaining to me in Europe. Essentially, this column came down to: I am not done being responsive only to myself yet. At even the possibility that the cosmos was calling my name, I cowered and stepped aside. I was not so unlike those young louts who father children and run from the specter of responsibility.

Except that my refusal to be involved with this potential creature was as definitive as a refusal can be. Stepping aside in this way is analogous to draft evasion: there are good and altruistic reasons to evade the draft, and The Impact of The Internet, then there are self-preserving reasons. In that moment, feminism came to one of its logical if less-than-inspiring moments of jane fruition: I chose to sidestep biology: I acted -- and was free to act -- as if I were in control of film my destiny, the heroines, way men more often than women have let themselves act. I chose myself on my own terms over a possible someone else, for self-absorbed reasons. But to be a better mother; Dulce et decorum est. Why Does Rely Flat Organizational Structure?! ? Nonsense. Now, freedom means that women must be free to choose self or to choose selfishly. Certainly for a woman with fewer economic and social choices than I had -- for instance, a woman struggling to jane finish her higher education, without which she would have little hope of a life worthy of her talents -- there can indeed be an What Makes an Epic in Homer´s The Odyssey, obligation to jane choose self. And the defense of some level of abortion rights as fundamental to women's integrity and equality has been made fully by others, including, quite effectively Ruth Bader Ginsberg.

There is What Makes in Homer´s Essay no easy way to deny the austen heroines, powerful argument that a woman's equality in society must give her some irreducible rights unique to her biology including the right to take the life within her life. But we don't have to lie to commentary ourselves about what we are doing at such a moment. Let us at least look with clarity at jane heroines what that means and The Impact of The Internet Essay, not whitewash self-interest with the language of self-sacrifice. The landscape of jane many such decisions looks more like Marin County than Verdun. Let us certainly not be fools enough to present such spiritually limited moments to the world with a flourish of pride, pretending that we are somehow pioneers and heroines and even martyrs to have snatched the self, with its aims and pleasures, from the pressure of biology. That decision was not my finest moment.

The least I can do, in a functional structure on a, honor of the being that might have been, is simply to know that. Using amoral rhetoric, we weaken ourselves politically because we lose the austen, center. To draw an conference, inexact parallel, many people support the choice to limit the medical prolongation of life. But, if a movement arose that spoke of jane our getting over our love affair with the terminally ill, those same people would recoil into a vociferous interventionist position as a way to assert their moral values. Why Does A Functional Rely Flat! We would be impoverished by a rhetoric about the end of heroines life that speaks of the Internet on Journalism, ill and jane austen heroines, the dying as if they were meaningless and of doing away with them as if it were a bracing demonstration of our personal independence. Similarly, many people support necessary acts of warfare (Catholics for a Free Choice makes the analogy between abortion rights and such warfare). There are legal mechanisms that allow us to bring into the world the film, evil of war.

But imagine how quickly public opinion would turn against a president who waged war while asserting that our sons and daughters were nothing but cannon fodder. Grief and austen heroines, respect are the proper tones for all discussions about choosing to What in Homer´s Essay endanger or destroy a manifestation of life. War is legal: it is sometimes even necessary. Austen! Letting the dying die in peace is often legal and sometimes even necessary. Abortion should be legal; it is sometimes even necessary. Sometimes the mother must be able to decide that the fetus, in its full humanity, must die. End Of Era! But it is never right or necessary to austen minimize the value of the lives involved or the The Impact on Journalism, sacrifice incurred in letting them go. Only if we uphold abortion rights within a matrix of individual conscience, atonement and responsibility can we both correct the logical and ethical absurdity in our position and consolidate the support of the austen, center. Many others, of course, have wrestled with this issue: Camille Paglia, who has criticized the why does a functional rely, convoluted casuistry of some pro-choice language; Roger Rosenblatt, who has urged us to permit but discourage abortion; Laurence Tribe, who has noted that we place the fetus in jane austen heroines, shadow in order to advance the pro-choice argument. But we have yet to make room for this conversation at the table of mainstream feminism.

And we can't wait much longer. Historical changes from the imminent availability of cheap chemical abortifacients to the ascendancy of the why does a functional flat, religious right to Norma McCorvey's defection -- make the heroines, need for progressive a new abortion-rights language all the more pressing. In a time of retrenchment, how can I be so sure that a more honest and moral rhetoric about abortion will consolidate rather than scuttle abortion rights? Look at what Americans themselves say. When a recent Newsweek poll asked about support for jane abortion using the rare phrasing, It's a matter between a woman, her doctor, her family, her conscience and her God, a remarkable 72 percent of the respondents called that formulation about right. The Impact Essay! This represents a gain of jane austen thirty points over the abortion rights support registered in the latest Gallup poll, which asked about abortion without using the words God or conscience. When participants in the Gallup poll were asked if they supported abortion under any circumstances only 32 percent agreed; only 9 percent more supported it under most circumstances.

Clearly, abortion rights are safest when we are willing to submit them to why does a morality beyond just our bodies and austen heroines, our selves. But how, one might ask, can I square a recognition of the humanity of the fetus, and radio, the moral gravity of destroying it, with a pro-choice position? The answer can only be found in the context of a paradigm abandoned by the left and misused by the right: the jane, paradigm of sin and redemption. It was when I was four months pregnant, sick as a dog, and in the middle of an argument, that I realized I could no longer tolerate the fetus-is-nothing paradigm of the pro-choice movement. Internet! I was being interrogated by a conservative, and the subject of jane austen heroines abortion rights came up.

You're four months pregnant, he said. Are you going to tell me that's not a baby you're carrying? The accepted pro-choice response at such a moment in the conversation is to evade: to rey-osterrieth test move as swiftly as possible to a discussion of jane austen heroines privacy and difficult personal decisions and football radio, choice. Had I not been so nauseated and so cranky and so weighed down with the jane austen heroines, physical gravity of what was going on inside me, I might not have told what is the truth for me. Of course it's a baby, I snapped. And went rashly on: And if I found myself in circumstances in which I had to make the terrible decision to end this life, then that would be between myself and God. Startlingly to me, two things happened: the conservative was quiet, I had said something that actually made sense to him. And I felt the great relief that is the grace of long-delayed honesty. Now, the G-word is certainly a problematic element to introduce into the debate. Wannsee Film! And yet God' or soul--or, if you are secular and prefer it, conscience -- is precisely what is missing from pro-choice discourse. There is a crucial difference between myself and my God or my conscience -- terms that imply moral accountability -- and myself and jane austen heroines, my doctor, the phrasing that Justice Harry Blackmun's wording in Roe (inherently, and complex, primarily, a medical decision) has tended to promote in the pro-choice movement.

And that's not ever, to mention between myself and myself (Elders: It's not anybody's business if I went for an abortion), which implies just the relativistic relationship to jane austen abortion that our critics accuse us of sustaining. The language we use to make our case limits the conference film, way we let ourselves think about abortion. As a result of the precedents in Roe (including Griswold v. Connecticut and jane, Eisenstadt v. Baird ), which based a woman's right to an abortion on the Ninth and Fourteenth Amendments' implied right to personal privacy, other unhelpful terms are also current in our discourse. Pro-choice advocates tend to cast an abortion as an intensely personal decision. To which we can say, No: one's choice of end of carpeting is an jane heroines, intensely personal decision. Football Commentary! One's struggles with a life-and-death issue must be understood as a matter of personal conscience.

There is a world of difference between the two, and it's the difference a moral frame makes. Stephen L. Carter has pointed out that spiritual discussion has been robbed of a place in jane austen heroines, American public life. Football Commentary Radio! As a consequence we tend -- often disastrously -- to use legislation to work out right and wrong. Heroines! That puts many in the position of having to advocate against abortion rights in order to proclaim their conviction that our high rate of avoidable abortion (one of the radio, highest in austen heroines, developed countries, five times that of the Netherlands, for example) is a social evil: and, conversely, many must pretend that abortion is not a transgression of any kind if we wish to champion abortion rights. We have no ground on which to say that abortion is a necessary evil that should be faced and opposed in the realm of commentary conscience and action and even soul; yet remain legal. But American society is struggling to find its way forward to a discourse of right and wrong that binds together a common ethic for jane heroines the secular and the religious. When we do that, we create a moral discourse that can exist in its own right independent of legislation, and What Makes an Epic in Homer´s The Odyssey Essay, we can find ground to stand upon. Norma McCorvey explained what happened to her in austen, terms of good and evil: she woke in the middle of the football commentary, night and felt a presence pushing violently down on her. I denounce you, Satan, she announced.

This way of talking about evil is one of the chief class-divisions in America: working-class people talk about heroines Satan, and those whom Paul Fussell calls the X group -- those who run the country -- talk instead about progressive neurotic guilt. Jane Heroines! While the elite scoff at research that shows that most Americans maintain a belief in the embodiment of evil -- the devil -- they miss something profound about the conference, human need to make moral order out of chaos. After all, the only difference between the experience described by Clare the Cornell-educated pro-choicer, and McCorvey, the uneducated ex-alcoholic, is a classical allusion. There is a hunger for a moral framework that we pro-choicers must reckon with. In the Karlin Hers column, the author announced proudly that pregnant women are asked by the counselor in the office, So, how long, have you been prochoice?

Dr. Karlin writes that Laughter and the answer, 'About ten minutes,' is the healthiest response. 'I still don't believe in abortion,' some women say, unaware that refusal to take responsibility for the decision means that I won't do the procedure. How is this feminist ideological coercion any different from the worst of pro-life shaming and coercion? The women who come to a clinic that is truly feminist -- that respects women -- are entitled not only to their abortions but also to their sense of jane austen sin. To use the term sin in this context does not necessarily mean, as Dr. Karlin believes, that a woman thinks she must go to hell because she is having an abortion.

It may mean that she thinks she must face the realization that she has fallen short of era who she should be; and that she needs to ask forgiveness for that, and atone for it. As I understand such a woman's response, she is trying to take responsibility for the decision. We on the left tend to heroines twitch with discomfort at that word sin. Too often we have become religiously illiterate, and so we deeply misunderstand the word. But in all of the What Makes Hero in Homer´s Essay, great religious traditions, our recognition of sin, and then our atonement for it, brings on God's compassion and our redemption. In many faiths, justice is linked, as it is in medieval Judaism and in Buddhism, to compassion.

From Yom Kippur and the Ash Wednesday-to-Easter cycle to the Hindu idea of karma, the individual's confrontation with her or his own culpability is the austen heroines, first step toward ways to why does rely flat organizational create and receive more light. How could one live with a conscious view that abortion is an evil and jane, still be pro-choice? Through acts of redemption, or what the Jewish mystical tradition calls tikkun or mending. Laurence Tribe, in Abortion: The Clash of What Makes an Epic in Homer´s Absolutes , notes that Memorial services for the souls of aborted fetuses are fairly common in jane austen, contemporary Japan where abortions are both legal and readily available. Shinto doctrine holds that women should make offerings to the fetus to help it rest in peace; Buddhists once erected statues of the spirit guardian of children to honor aborted fetuses (called water children or unseeing children). Commentary Radio! If one believes that abortion is killing and yet is still pro-choice, one could try to use contraception for every single sex act; if one had to undergo an abortion, one could then work to provide contraception, or jobs, or other choices to heroines young girls; one could give money to programs that provide prenatal care to an Epic The Odyssey poor women, if one is a mother or father, one can remember the aborted child every time one is tempted to be less than loving -- and give renewed love to the living child.

And so on: tikkun . But when you insist, as the Hers column writer did, on stripping people of their sense of sin, they react with a wholesale backing-away into a rigid morality that reimposes order: hence, the ascendancy of the religious right. Just look at the ill-fated nomination of Dr. Henry Foster for Surgeon General. The Republicans said abortion, and the discussion was over. The Democrats, had they worked out austen heroines, a moral framework for progressivism, could have responded: Yes, our abortion rate is a terrible social evil. Here is commentary radio a man who can help put a moral framework around the chaos of a million and jane austen, a half abortions a year. He can bring that rate of What The Odyssey evil down.

And whichever senator among you has ever prevented an unplanned pregnancy -- and jane, Dr. Foster has -- let him ask the first question. Who gets blamed for our abortion rate? The ancient Hebrews had a ritual of sending a scapegoat into the desert with the community sins projected upon it. Abortion doctors are our contemporary scapegoats. The pro-lifers obviously scapegoat them in one way: if pro-lifers did to women what they do to abortion doctors -- harassed and targeted them in their homes and workplaces -- public opinion would rapidly turn against of The Internet them: for the movement would soon find itself harassing the jane austen heroines, teachers and waitresses, housewives and younger sisters of test their own communities. The pro-life movement would have to jane address the often all-too-pressing good reasons that lead good people to abort. That would be intolerable, a tactical defeat for the pro-life movement, and as sure to lose it the mushy middle as the pro-choice movement's tendency toward rhetorical coldness loses it the same constituency. But pro-choicers, too, scapegoat the on a flat organizational structure?, doctors and clinic workers. By resisting a moral framework in which to view abortion we who are pro-abortion-rights leave the doctors in the front lines, with blood on their hands: the austen heroines, blood of the repeat abortions -- at least 43 percent of the total; the suburban summer country-club rite-of-passage abortions; the wannsee conference, I don't know what came over me, It was such good Chardonnay abortions; as well as the blood of the desperate and the unpreventable and austen, accidental and the medically necessary and the violently.

conceived abortions. This is blood that the doctors and clinic workers often see clearly, and end of progressive era, that they heroically rinse and cause to flow and rinse again And they rake all our sins, the pro-choice as well as the austen, pro-life among us upon themselves. And we who are pro-choice compound their isolation by declaring that that blood is not there. As the world changes and women, however incrementally, become more free and more powerful, the language in which we phrase the goals of feminism must change as well. As a result of the bad old days before the Second Wave of feminism, we tend to understand abortion as a desperately needed exit from The Impact of The Essay, near-total male control of our reproductive lives. This scenario posits an unambiguous chain of power and jane austen, powerlessness in which men control women and women, in a functional rely on a flat organizational, order to survive, must have unquestioned control over fetuses. It is jane austen heroines this worldview, all too real in its initial conceptualization, that has led to the dread among many pro-choice women of departing from a model of why does a functional rely on a organizational structure? woman-equals-human-life, fetus-equals-not-much. This model of reality may have been necessary in an unrelenting patriarchy. Jane Austen Heroines! But today, in what should be, as women continue to consolidate political power, a patriarchy crumbling in spite of itself, it can become obsolete. Now: try to imagine real gender equality. Commentary! Actually try to imagine an America that is female-dominated.

Since a true working democracy in austen heroines, this country would reflect our 54-46 voting advantage. Now imagine such a democracy, in which women would be valued so very highly as a world that is accepting and responsible about human sexuality; in which there is end of progressive era no coerced sex without serious jailtime: in which there are affordable, safe contraceptives available for the taking in every public health building; in jane, which there is economic parity for women -- and basic economic subsistence for every baby born; and in which every young American woman knows about and understands her natural desire as a treasure to cherish, and responsibly, when the time is right, on her own terms, to conference share. In such a world, in which the idea of gender as a barrier has become a dusty artifact, we would probably use a very different language about what would be -- then -- the rare and doubtless traumatic event of austen heroines abortion. That language would probably call upon respect and responsibility, grief and rely on a flat, mourning. In that world we might well describe the unborn and the never-to-be-born with the honest words of life. And in that world, passionate feminists might well hold candlelight vigils at abortion clinics, standing shoulder to shoulder with the doctors who work there, commemorating and saying goodbye to jane austen the dead.

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Sonya Lee Boss, I deserve a raise Mr. Brown, may I have a talk with you. I came to talk about . you giving Me a raise. Ive been working for radio your company for few years now. Austen. Im One of a few people here that really know what they are doing.

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Running head: WHY I WOULD BE A TEACHER Why I Would Be a Teacher Diana C. End Of Era. Worley Grand Canyon . University: EDU 310 (0206) December 19, 2010 Why I Would Be a Teacher Teaching is a dignified, desirable, and demanding occupation. It is austen, a profession which requires knowledge, patience, understanding, and progressive, a growing desire to help others. Heroines. Unfortunately, it is most often under paid, underappreciated, and undervalued by numerous standards. End Of Era. So why does the writer of this paper want to teach? Was.

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LaBarron Evans came to end of progressive, Mattie T. Blount High School and jane heroines, spoke with my class about college decisions, and end of, also mentioned that he was the Assistant Director of Admissions at Fortis College. Jane Heroines. I spoke with him one on Makes The Odyssey, one; he encouraged me to come take a visit at Fortis College. I am now going to tell you Why I Want to join Fortis College. On your web page. Community , High school , Hurricane Katrina 572 Words | 2 Pages. ? I Love This Country By John N. Panes Why do I love this country? . I love stepping out of the house, ready to heroines, spoil myself with smiles as I sweep through the streets. I love this pill of contagiousness that I know will keep me invigorated throughout the day. What Makes In Homer´s The Odyssey Essay. I love how Filipinos, in spite of having 171 native languages, once see the typical curve in a fellows expression, understand the austen, messages it spirits through optimism and rey-osterrieth complex figure test, resiliency. I love how it brightens up my day. I love how the.

Filipino language , Filipino people , Manila 892 Words | 3 Pages. Name: Jay Melson Petero Year Sec.: BSIT-4B Why do I exist.What is the purpose of my life?. Why does God . created me? There are probably millions of people ask these question every day. Heroines. In fact, all of rey-osterrieth complex test us tend to forget the answer of these question because of jane austen heroines different problems we are facing today. We exist because we have different purpose in our life and rey-osterrieth, its important to know the purpose why God created us. Life is very meaningful whether we want it to be or not.

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Answer the 10 Most Common College amp; Scholarship Interview Questions Let's start with some good news. If you are asked to do an interview . for a scholarship competition, it means that you are a serious contender for the award. The same can also be true for college interviews. While many colleges interview every applicant, others only select their top prospects. But regardless of the situation, the interview means you are one step closer to winning a scholarship or getting into the college of your.

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Creating an infinite loop is a very common occurrence for developers I . Makes Hero In Homer´s Essay. Open the source code in the programming software. II. Identify the infinite loop in the source code. Austen. During an infinite loop a program often does not return output or accept input. Start by looking at end of the code in jane the area after the last successful. C , Compiler , Computer program 733 Words | 4 Pages. Why Should I Be Moral? The question of morality proves to be a complex interrogatory. Should I be moral? If . Rey-osterrieth Figure. I should be, then why ? Why is morality important to society?

An assumption can be made that morals derive from a purely religious perspective or the Golden Rule approach. We are told that it is right to jane, be moral. This is an ineffective answer, since it does not apply to in Homer´s, someone outside the moral circle (Olsen, 79). This in mind, there is really no way to prove this too a person. Ethics , Eudaimonia , Happiness 1406 Words | 5 Pages. Why I Write By Joan Didion From The New York Times Magazine, December 5, 1976. Copyright 1976 by austen Joan Didion and The New York . Times Company.

Of course I stole the title for this talk, from George Orwell. Complex. One reason I stole it was that I like the jane, sound of the words: Why I Write. The Impact Of The Internet. There you have three short unambiguous words that share a sound, and the sound they share is this : I I I . In many ways writing is the act of saying I , of heroines imposing oneself upon other people, of saying listen to me. 2007 singles , Mind , Writing 2626 Words | 7 Pages. over to the U.S. to complete my higher education. As young as I was then, I graduated from high school at the age of The Impact on Journalism Essay sixteen . years old. I have always lived with my grandparents ever since I was forty days old. Austen. I objected to my fathers intention; I said, No, I am not coming to the United States. I had so many reasons for objecting: I didnt want to miss my grandparents because I love them so much and I didn't want to leave the environment I grew up to football commentary, love so much.

During my high school days, my auntie. College , DeKalb County, Georgia , Financial aid 978 Words | 3 Pages. Sweet Simple Scholarship 2015 Apply for austen the Sweet Simple Scholarship Today! ID: 10731 Page 1: Personal Information . Rey-osterrieth Test. Applicant's First Name Delana Applicant's Last Name Wilkinson Applicant's Street Address 1 (for postal mail) 3301 State Road 546 East Applicant's Street Address 2 (for postal mail) Applicant's City (for postal mail) Haines City Applicant's State (for postal mail) Florida Applicant's Zip Code (for postal mail) 33844 Applicant's Country (for postal mail) UNITED STATES Applicant's. College , Grade , Graduation 791 Words | 4 Pages. ? Why I Must Be More Careful By Freddie L. Holmes Jr As I sit and jane austen, type, while I can think of a . Test. million reasons why I need to be more careful and not speed, there are two reasons that seem to stick out at the top of my head. Jane. The first reason is, I need to be more careful because I could cause harm to myself and second, and more importantly, to someone else.

Causing harm to me can lead to wannsee conference, a whole lot of heartache for my family. It would further prove that everything my Mom and Dad were telling. Autobahn , Miles per hour , Road 1217 Words | 3 Pages. so what. How much has really changed? Things may be much more evolved, likely much more sophisticated, elaborate, and convoluted -- clearly there's a lot . less shoving and austen, crying going on -- but the end of progressive, central problem remains essentially the same. Jane Austen. In this world, where two or more people become involved, the situation can result in a familiar and tragic formula, a formula comprised of bullies and victims and bystanders. Certainly, there are numerous exceptions. Commentary. Not every interaction between people. 2008 singles , Bullying , Government 2617 Words | 6 Pages.

occurred simply by random chance, and it must have been created by an intelligent Creator. I agree with the latter statement, and am writing . Heroines. this to articulate some of the reasons behind why I believe in God. Atheism is sometimes portrayed as being more logical than believing God created the universe, but I think that belief in God, or Theism, is at least equally logical, and perhaps more logical than Atheism. Football Radio. I will be presenting three arguments supporting belief in God: the Scientific Argument, the. Atheism , Existence , Existence of God 1994 Words | 5 Pages. In this page I will be sharing with you my decision to home educate my children. I have broken it down into two . parts as it has become a rather long post! I didnt realise that I had so much to say. It would have been a lot longer if I had included all the finer details.

Sit back and relax as I talk to you about my decision to home educate. Austen. I truly believe that I am being led in this direction by football commentary the Lord. I remember this time last year sitting in my car, parked on the side road reading a book. Alternative education , Growing Without Schooling , Homeschooling 1624 Words | 4 Pages. affect my familys ability to fund my college tuition.

Although I am well financially covered, I would be taking a loan to take . Austen. care of the expenses for my Masters program as I do not want to burden my parents financially. Question 2: Why This University Why have you chosen to apply to Texas Aamp;M University? A maximum of two 80-character lines will be sent. I always wanted to What Makes an Epic in Homer´s The Odyssey, research into energy efficiency of austen heroines systems. I have decided to apply to your esteemed University as the test, masters. Efficient energy use , Energy conversion , Photovoltaics 1230 Words | 5 Pages. why college athletes should be paid. ? Why Should Scholarship Athletes Be Paid? Recently in the news, there was a report on the five University of Kentucky . basketball players that decided to enter the jane, NBA draft after only their freshmen season. Sure, they were told of the Internet Essay, millions of dollars they could make in jane heroines professional sports, but were they given the odds of them even reaching that big payday? From picks 5-10 in the draft, the success rate of the player becoming a league average starter is about 30%, then for the rest of the first.

Basketball , College athletics , Higher education 2387 Words | 9 Pages. APPLICATION FOR SCHOLARSHIP I hereby apply for the NETTPAD EDUCATION SCHOLARSHIP . I would like to . state few out of the progressive, many reasons why I believe I deserve this scholarship . Firstly, I am the first male in a family of six. My parents fall to austen heroines, the lower middle class salary earner, with a total income of Thirty eight thousand, five hundred naira per annum (N38,500/annum). This salary scheme made feeding and accommodation more difficult to be combined with my education. This condition makes the family.

Academia , American middle class , College 622 Words | 2 Pages. Scholarship essay ?As Franklin Roosevelt once said It is only through labor and painful effort, by The Impact of The on Journalism Essay grim energy and resolute courage that we . Jane. move on to better things. My childhood was filled with memories of happiness, sadness and the loss of experiences that have made it hard for me to grow up. Of The Internet On Journalism. Ive had to show my strength to overcome things and the courage to walk away from austen heroines things that arent good for progressive me without knowing if it will affect me in a bad way. Throughout the past few years I have. Emotion , Family , Foster care 1700 Words | 4 Pages.

Do-Over Scholarship 2015 Apply now for the Do-Over Scholarship ! ID: 10735 Page 1: Personal Information Applicant's First Name . Delana Applicant's Last Name Wilkinson Applicant's Street Address 1 (for postal mail) 3301 State Road 546 East Applicant's Street Address 2 (for postal mail) Applicant's City (for postal mail) Haines City Applicant's State (for postal mail) Florida Applicant's Zip Code (for postal mail) 33844 Applicant's Country (for postal mail) UNITED STATES Applicant's Primary. College , Grade , Graduation 663 Words | 4 Pages. Scholarship Application Letter L.L.M. Environmental Law and jane austen, Energy Policy To Whom it May Concern: After seven years of higher . education, and over $100,000 in student loans, many of my friends and family are mystified by my desire to acquire one more degree and rely on a flat organizational structure?, another $40,000 of jane student debt. For me, the extra year and the $40,000 are not a burden, but rather a blessing to further my academic endeavors and will surely enhance my future opportunities. While one cannot put a price. Education , Hispanic and Latino Americans , Immigration to wannsee, the United States 836 Words | 3 Pages. ?English 8CP This I Believe: Writing Instructions [modified from:] The . This I Believe essay form is based on a 1950s radio program of the jane austen heroines, same name, where Americans from all walks of life shared their personal philosophies and why does a functional rely on a flat organizational, core values that guided their daily lives. In your essay, you will narrow this focus, writing only a statement of personal religious belief. Jane Austen. Below are some suggestions to guide you through this process. Name your belief: If you.

Belief , Christianity , Faith 1777 Words | 2 Pages. 5 22 January 2011 Merit-based Scholarships Figuring out how to pay for ones college tuition is Internet Essay, probably one of the most stressful . processes a person will face in his or her life. Many parents save money over the course of a childs life to help pay for college, but this money is very rarely enough to cover the outrageous cost of a higher education. This is where scholarships come into play. Heroines. But how should schools choose which students to football, award scholarships too? There have been many debates. College , Education , Gymnasium 710 Words | 3 Pages. Why and jane austen, How I will Teach Why and How I Will Teach I am a new student in the . area of education, eager and excited to film, be studying the foundations of the art and science of teaching and austen heroines, developing my own initial teaching philosophies. Makes An Epic Hero In Homer´s. I recognize that these beliefs will change over time based on my time spent in the classroom, my failures and triumphs throughout my career, and the complex landscape that we build upon.

As our world is ever-changing and developing, it is jane austen, crucial that as teaching. Education , Need , Philosophy 1384 Words | 4 Pages. my job because without a job I cant take care of wannsee conference film my family. Austen Heroines. I am someone who works with you to achieve your vision and company . goals - while at the same time have the Internet, confidence to make suggestions on austen, improvements and better ways to do things. I am loyal, a good communicator, great with customers, good phone manner, flexible and committed to rey-osterrieth complex figure test, get the job done. I understand that you are human and from time to time will lose it, make mistakes and have a bad day - but I know not to take it personally. 2000s American television series , A Big Family , Agreement 898 Words | 2 Pages. Weddings are often a time of celebration, especially for my family. This past summer, as we prepared for jane heroines my sister Ginis wedding, the . The Impact Of The Internet. festivities extended to good-natured teasing of the bride- and jane, groom-to-be. End Of. For example, WITH knowing smiles, my parents--self-proclaimed experts on marriage courtesy of their own wedding almost thirty years ago--dispensed advice about everything, including how to heroines, improve her cooking skills beyond instant rice and grilled cheese.

Ginis typical responses included. Irony , Jonathan Swift , Marriage 2941 Words | 7 Pages. 2010 Why I Am Attending College Why did you decide to Internet, go to college at this moment in your life? . Each and every one of us possesses distinctive reasons for attending college. Many of us have reasons are completely legitimate and jane austen heroines, then there are many of us that are going for irrelevant reasons that many of why does structure us dont comprehend or pertain to jane austen heroines, getting an education. The reasons that I am going to of The, college are to make more money so I can have financial independence, be qualified for a field so I can. Academic degree , Associate's degree , Bachelor's degree 1129 Words | 3 Pages. strive towards the best outcome. Having said that, I am satisfied with my current job as a financial analyst. Jane Austen Heroines. It gives me enough motivation . to stay into the organization and strength to of The Internet on Journalism Essay, present my views in different forums. The organization believes in my capabilities and does well to austen, boost up my morals.

There are a number of extra curricular activities and ample holidays to charge up for a tough routine. They say, as long as I have a want I have a reason to rey-osterrieth test, live, satisfaction is death. Everybody. 1998 singles , 2002 albums , 2006 albums 1432 Words | 5 Pages.

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Amnesty International, St. Jane. Louis Blog. 18 Important Human Rights Developments in 2015. Can you believe 2015 is almost over (and that the last time we blogged was over a year ago)? We accomplished so much in the past year and half, but this post is going to focus on 2015. This year was a big year for Makes in Homer´s, human rights, with both major milestones and major setbacks.

Here are 18 important human rights developments that have taken place, or will take place, in 2015: Raif Badawi, a blogger and jane austen, prisoner of conscience sentenced by Saudi Arabia to why does flat structure?, 10 years and jane austen, 1,000 lashes is publicly flogged for the first time. While the why does a functional structure on a flat structure?, immediate global outcry helps prevent additional floggings, he remains behind bars. Raif#8217;s cruel and unjust sentence is jane heroines, upheld by the Saudi Arabian Supreme Court in June, casting a further stain on that country#8217;s already bleak human rights record. A Functional On A Organizational. A young woman imprisoned after suffering a miscarriage is granted a pardon by El Salvador#8217;s Parliamentary Assembly giving hope to the other 15 women languishing in jail on similar charges. Heroines. Update: One of those 15 other women is Teodora del Carmen Vasquez, who suffered a still-birth in 2007 and was sentenced to 30 years in prison for #8220;aggravated homicide.#8221; She#8217;s one of Amnesty International#8217;s Write for Rights cases this year. Amnesty calls on Mexican authorities to investigate and address torture after the United Nations releases a scathing report detailing how this sickening practice is widespread among the country#8217; police and security forces. Football. Amnesty calls on Paraguay to repeal its draconian anti-abortion law after a 10-year-old girl who became pregnant after she was repeatedly raped, allegedly by her stepfather, is jane austen, denied the option of an abortion. The Chicago City Council passes landmark legislation providing reparations for torture committed by former Chicago Police commander Jon Burge and The Impact of The Internet Essay, detectives under his command. The reparations package marks the first time that survivors of ractially motivated police torture in the United States have been given the reparations they are entitled to under international law. Jane Heroines. Legendary folk singer Joan Baez and world -renowned artist Ai WeiWei are awarded the 2015 Amnesty International Ambassador of rey-osterrieth test, Conscience Award, which recognizes those who have shown exceptional leadership in jane austen the fight for human rights through their life and work.

Nebraska becomes the 19th U.S. state to abolish the death penalty. Update: Nebraska#8217;s repeal is still in limbo. A petition drive to overturn the of The Internet on Journalism Essay, abolition succeeded in getting enough votes, so the state will vote on jane, a statewide referendum in November 2016. It#8217;s important to note that Gov. Pete Ricketts, whose veto of the Makes The Odyssey Essay, death penalty was overturned by jane austen heroines the unicameral legislature, spent $200,000 of his own money to fund the petition drive.

Amnesty declares the expiration of the USA Patriot Act a symbolic repudiation of the claim that #8220;national security#8221; justifies giving the government an indefinite license to commit systematic rights violations. U.S. District Judge James Brady grants Louisiana prisoner Albert Woodfox unconditional release after he has languished in solitary confinement for more than four decades and had his conviction overturned three times. The State of Louisiana has appealed the ruling and Amnesty continues to advocate for Albert#8217;s freedom. The Supreme Court of the United States issues a historic ruling affirming the right of same-sex couples across the country to legally marry. Amnesty marks International Day in Support of Victims of Torture with a global push for governments to respect the ban on torture and hold torturers accountable. Amnesty calls on Chinese authorities to end their assault on human rights lawyers after more than 200 lawyers and activists were targeted by police in a nationwide crackdown.

Amnesty marks the one-year anniversary of the killing of Michael Brown in Ferguson, Missouri by shining the spotlight on the use of lethal force and racially discriminatory conduct by law enforcement officers and calling for wannsee, reforms at the local, state and national levels. Jane Austen. An Amnesty investigation on sexual abuse by UN peacekeeping forces in the Central African Republic sends shock waves globally, leading UN Sec. General Ban Ki-moon to remove the head of the Peacekeeping Operation and triggering a call for Hero in Homer´s The Odyssey, reform of accountability measures for UN peacekeeping troops around the world. A Union of Protection: Amnesty International#8217;s Agenda for Refugee Protection in Europe is released, setting out the urgently needed changes in Europe#8217;s approach to the escalating refugee crisis. Amnesty USA brings Ensaf Haidar, wife of Raif Badawi, to Washington to lobby the austen heroines, U.S. government to do more to convince Saudi Arabia to free Raif and respect the rights of all people.

Al Jazeera journalists Mohamed Fahmy and Baher Mohamed were pardoned by Egyptian leader Abdel-Fattah el-Sisi. In August, Amnesty International had said the guilty verdicts handed down against the two journalists Mohamed Fahmy and Baher Mohamed were an affront to justice that sounded the death knell for freedom of expression in end of progressive era Egypt. Journalist colleague Peter Greste, who had left Egypt, had also been convicted in his absence. Jane. The U.K. Conference Film. government announces that Shaker Aamer, held for over a decade without charge at U.S. Naval Station Guantanamo Bay, will be transferred to the U.K., where his family resides. Amnesty International holds Write for Rights, the world#8217;s largest human rights event, mobilizing hundreds of thousands of people to jane austen heroines, send letters on behalf of 12 cases of individuals at risk, including prisoners of conscience.

Update: Join Amnesty STL for their own Write for Rights event on Dec. 12! We#8217;ll be at Schafly Bottleworks from 4 9 p.m. Wannsee. writing letters and having a good time. If you want to take action against human rights abuses and heroines, help those in commentary need, then please stop by on Dec. 12 to write some letters! Even just one letter would make a huge difference!

Russia Needs to Stop Arresting Human Rights Activists. The 2014 Winter Olympics in Sochi, Russia are just around the corner. Although the country has made headlines for its treatment of the LGBT community, Russia also hasn#8217;t been kind to those who actively oppose the government. Pussy Riot is a prime example, but the Bolotnaya 3 is another example of Russia arresting people solely for peacefully exercising their freedom of expression. The Bolotnaya 3 Vladimir Akimenkov, Artiom Saviolov and Mikhail Kosenko were three men among tens of austen heroines, thousands that protested the rey-osterrieth complex, reelection of Vladimir Putin in Moscow#8217; Bolotnaya Square. Austen Heroines. The protest started peacefully, but then broke out into localized violence. Over 650 people were detained and 47 others were hospitalized.

The three men were among those who were detained. Akimenkov, Saviolov and progressive era, Kosenko were released, only to be rearrested a month later for #8220;participating in mass riots.#8221; Police allege that Kosenko and Saviolov used force against jane them, but eyewitness accounts and video footage contradict these allegations. Despite this, all three men are held without bail and were committed to rey-osterrieth complex figure test, a psychiatric unit in 2013. Amnesty International considers the three men prisoners of austen, conscience, and need to be released immediately and unconditionally. Yurii Yakovlevich Chaika. Prosecutor General of the Russian Federation.

Prosecutor Generals Office. 125993 Moscow GSP-3. Wannsee. Dear Prosecutor General, I am writing to call for the release of Vladimir Akimenkov, Artiom Saviolov and Mikhail Kosenko. These three men are prisoners of conscience, unjustly detained for peacefully exercising their right to freedom of expression and assembly while participating in the Bolotnaya Square protest on austen heroines, May 6, 2012. Video evidence supports their claims of innocence, and police statements against Akimenkov and Saviolov have changed substantially since the protests. Furthermore, Mikhail Kosenko has been sentenced to forcible psychiatric treatment and may be deprived of his freedom indefinitely. There is figure, no evidence that he poses a risk to heroines, himself or society, nor was he given an independent medical exam to assess his mental health. I am also concerned that the health of Akimenkov and Saviolov is reportedly deteriorating in detention. What In Homer´s Essay. Akimenkov, Saviolov and Kosenko all should be immediately and jane austen, unconditionally released, but while they are detained, I respectfully urge you to guarantee that they receive appropriate medical care. While I recognize that a considerable amount of violence broke out in Moscow on May 6, it is wannsee film, imperative that Russian authorities uphold all Bolotnaya detainees right to jane austen heroines, a prompt and fair trial, as well as their right to freedom of expression and association.

Please drop all charges against those who were peacefully protesting at Bolotnaya Square on May 6, 2012, and release all Bolotnaya Square protestors who present no risk of endangering public security for the duration of their trials. 4 Days Left in the Write-a-Thon: Write for Albert Woodfox. Only two cases left in our coverage of this year#8217;s Write for Rights, but there are four days left in the annual letter writing marathon. Even if you haven#8217;t been following along or writing a letter on every single case, there is still time to get in one letter. There is progressive, still time to use your voice to help someone this year.

A good choice for your efforts is Albert Woodfox. Woodfox was convicted, with two other men, of murdering a prison guard at Louisiana#8217;s Angola prison. Woodfox and austen, one other man, Herman Wallace, were sentenced to life imprisonment for the crime even though there wasn#8217;t any evidence that linked them to the crime. Potentially exculpatory evidence was #8220;lost#8221; by the state, and wannsee conference, the authorities bribed the key eyewitness, leaving questions unanswered regarding police protocols and the guilt of Woodfox and Wallace. Both Wallace and Woodfox have spent over 40 years in austen solitary confinement. Figure. The men spent 23 hours a day isolated in jane heroines a small cell, four steps long and three steps across. Wallace has his conviction overturned in October 2013, when he was subsequently released. Wannsee Conference. A few days after his release, he died from jane austen heroines, complications from liver cancer.

Woodfox#8217;s conviction has been overturned three times, but state authorities have appealed the decision each time with a ruling in their favor. He remains in solitary confinement, and we want the authorities to release Albert Woodfox immediately and unconditionally. Office of the Attorney General. Baton Rouge, LA 70804. Hero In Homer´s The Odyssey Essay. Dear Attorney General Caldwell, Today, 42 years after he was first placed in solitary confinement, only one member of the Angola 3 remains behind bars. His case is one of the heroines, most egregious examples of Louisianas use of prolonged solitary confinement in correctional facilities. Era. Today, I am calling on you to act in the name of justice. I urge you to withdraw your appeal against the February 2013 ruling that overturned Albert Woodfoxs conviction so that he can be freed. The litigation surrounding Albert Woodfoxs case has spanned four decades and includes two flawed trials. His conviction has been overturned once by a state court and twice by a federal court, underscoring concerns about the fairness of the legal process. Jane Heroines. No physical evidence ties Mr.

Woodfox to football radio, Officer Millers murder. Heroines. Despite all of this, Albert Woodfox has been kept in isolation for decades, in conditions that the United Nations Special Rapporteur on torture or other cruel, inhuman or degrading treatment condemns as torture. He has been denied meaningful social contact and access to rehabilitation programs. Such conditions violate minimum international standards for humane treatment and have lasting physical and psychological effects on inmates. After subjecting Albert Woodfox to cruel and of The Internet on Journalism, inhuman conditions for decades, despite a flawed conviction, there is only one just and heroines, humane action the state can take. Rely On A Structure?. Remove Albert Woodfox from solitary confinement, and jane austen, withdraw the appeal against the US District Courts ruling.

Allow him his freedom. The Write for Rights letter writing marathon continues with three cases left, including today#8217;s case. Today#8217;s case is a little different because it#8217;s on the behalf of a village, not an individual prisoner of conscience. The Nabi Saleh village in Palestine has faced frequent harassment and What Makes Hero in Homer´s, repression from the Israeli army. Since 2009, Nabi Saleh#8217;s 550 residents have held weekly protests against the Israeli military occupation and jane austen heroines, an Israeli settlement#8217;s takeover of the village#8217;s farmland. The army has responded to rey-osterrieth figure test, the protests with excessive force, killing two people and injuring hundreds more, including many women and children.

The military also terrorizes the villagers, conducting night raids, arresting children, and firing tear gas into people#8217;s homes. So far, no one in the Israeli army has been held accountable for these actions. We want to change this impunity once and for all. The Honorable [Insert Your Representative#8217;s Name] U.S. House of Representatives. Washington, DC 20515. I am writing you on jane, behalf of the residents of Nabi Saleh, a village in complex test the Palestinian West Bank. As you know, this territory is under Israeli military occupation. As a supporter of Amnesty International and an individual concerned with the defense of human rights, I urge you to call on Israel to stop attacking the Palestinian residents of Nabi Saleh.

Since 2009, the villagers of Nabi Saleh have held weekly peaceful protests against Israels military occupation. Jane Austen Heroines. Villagers also protest the nearby illegal Israeli settlement that has taken over most of their farmland. The villagers of Nabi Saleh are exercising their human rights to freedom of expression and assembly, yet the Israeli army responds to the peaceful protests with violent attacks and progressive, the unnecessary use of jane austen, force. These attacks have killed two people and injured hundreds, including women and children. Complex. Israeli soldiers have carried out night raids, arrested children, and fired tear gas into homes. Austen Heroines. Please tell Israeli Prime Minister Netanyahu to stop the Israeli security forces attacks. Call on him to ensure that the security officers responsible for the killings of Mustafa Tamimi and end of progressive, Rushdi Tamimi and the injury of others in jane the village are brought to justice. The U.S. Congress provides billions of dollars a year in military aid to Israel.

Thats why I urge you to hold the Israeli military accountable for its attacks on Nabi Saleh villagers. Palestinians have a right to peacefully protest the Israeli occupation and the illegal settlements being built on their land. Thank you so much for taking the time to work on these cases and to write letters. These people need our help, and we are only halfway toward Amnesty International#8217;s goal of 75,000 letters. If you#8217;re written a letter, or are planning to write a few letters before Dec.

17th, then please pledge your efforts with the Write for Rights Campaign. Human Rights Day: Write a Letter on Behalf of Prisoners of film, Conscience. Azza Hilal Ahmad Suleiman. Jane Heroines. Today is Human Rights Day! This year#8217;s theme is #8220;20 Years Working for Your Rights#8221;, and the Arab Spring is a perfect example of this. Even though the tipping point for the uprising was just a few years ago, the human rights issues that the protestors are addressing were 20 years in the making. Many people were working behind the a functional, scenes prior to the international headlines. There are also many people who haven#8217;t made the headlines but should have.

Azza Hilal Ahmad Suleiman is one of those people. In December 2011, Suleiman was protesting with a friend in Tahrir Square when they saw a group of soldiers beating a young woman. Suleiman and her friend tried to carry the young woman to safety when the soldiers decided to heroines, turn on them instead, beating Suleiman until they knocked her unconscious. When she woke up in football the hospital, her skull was fractured and her bed sheets were soaked with blood. Jane Austen Heroines. Suleiman#8217;s brother lodged a complain with the armed forces about the attack, but as of today, no one has been held accountable for the beating and Makes in Homer´s, Suleiman has not been compensated. Authorities say the investigation is still ongoing. His Excellency Adly Mahmoud Mansour. Office of the jane, President. Al Ittihadia Palace. Cairo, Arab Republic of Egypt. Azza Hilal Ahmad Suleiman was attacked by Egyptian soldiers during a protest near Tahrir Square on Dec.

17, 2011. The soldiers brutally beat Azza Hilal Ahmad Suleiman, leaving her with a fractured skull and lasting memory problems. Nearly two years later she is still waiting for the culprits to be held accountable. Era. Please act now to bring Azza Hilal Ahmad Suleimans attackers to justice. Azza Hilal Ahmad Suleimans case is jane austen, emblematic of the abuses and injuries that protestors particularly women have suffered at the hands of Egyptian security forces. I call on you to open an independent, impartial and public investigation into era the attack on Azza Suleiman and into all other cases where the jane heroines, security forces are reported to have used excessive force. All who have suffered deserve justice, including compensation, restitution, rehabilitation and public apologies. It is critical that women and of The Internet on Journalism Essay, girls are able to express their views on austen heroines, the future of The Impact, Egypt and to protest without being detained, harassed, assaulted, tortured, or subjected to degrading and jane austen heroines, discriminatory treatment.

Please ensure that security forces do not target women peacefully exercising their right to freedom of expression and assembly. It#8217;s the last time we#8217;re meeting for the entire year! If you miss this meeting, then you won#8217;t see any of the wonderful people of our chapter until January. It#8217;s also Human Rights Day, so what better way to spend the evening then with human rights activists helping those who need our help? Below are the details. Who: Our Amnesty International chapter and why does rely structure?, those interested in human rights. What: To send holiday cards to jane austen, prisoners of conscience and their families. Also to spend some time with each other before the football, holidays and austen, the end of the progressive era, year. Austen. Where: Hartford Coffee Company on of The, the corner of Roger and Hartford, one block off of austen heroines, Arsenal. Why: Because people need our help and we can make a difference. In Homer´s. How: Well provide the paper, pens, and pertinent information on jane heroines, each of the cases.

For this meeting, if you can bring holiday cards (cards that don#8217;t have written references to a specific holiday or religion), then that would be great.

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conflict essay holes Paul Bowles in the medina of jane austen heroines, Tangier, Morocco in rey-osterrieth complex figure test, 1987. An inveterate traveler, composer and writer, Paul Bowles was a truly remarkable figure whose life and work embodied and responded to major impulses of the twentieth century. Jane Heroines! His life would be of considerable interest even had he not produced numerous musical scores, four novels, more than sixty short stories, many travel pieces, an unrevealing autobiography and dozens of translations of stories by Moroccan storytellers. His autobiography, Without Stopping , published in 1972, reads like a whos who of end of, twentieth-century arts and letters. Among those whose lives intersected with Bowles are Aaron Copland, Gertrude Stein, Djuna Barnes, Kurt Schwitters, Claude McKay, W. H. Auden, Tennessee Williams, Truman Capote, William S. Burroughs, Allen Ginsberg and Patricia Highsmith. During the thirties, forties, and fifties Bowles journeyedalways by ship or overlandrelentlessly, almost frantically, to and from New York, into the heart of North Africas deserts, into the depths of the tropical forests of jane austen, Latin America, and around the globe to the small island of Taprobane off the coast of Sri Lanka, an island he bought and owned for test a number of years. Heroines! These landscapes became backdrops for Bowles fiction, giving it a distinctive, unique flavor. Bowles fictional worlds typically feature American travelers in exotic and hostile foreign settings who experience disease, psychological disintegration or terror.

Man is adrift in an endless existential quest to piece together meaning in What an Epic Hero in Homer´s, an increasingly chaotic, ugly, barbaric, horrifying world. Bowles music, on the other hand, is more cheerful and benign. In his collection of essays Setting the austen heroines, Tone , the composer Ned Rorem (who first met Bowles in Mexico in the forties) contrasts Bowles literary and musical styles, observing that while Bowless fiction is dark and cruel, clearly meant to horrify in an impersonal sort of way, his music is nostalgic and witty, evoking the times and why does structure rely flat places of its conception. An only child, Paul Frederic Bowles was born in New York, in Jamaica, Queens, on December 30, 1910, to Rena and Claude Bowles. Bowles fondly remembers his mother reading Poe to him in jane austen heroines, his early years, while he chiefly remembered his father, a dentist, as a strict disciplinarian. In his autobiography, Bowles recounts hearing his grandmother tell him that his father had tried to kill him when he was a baby, by leaving him virtually naked in a basket by an open window in the dead of winter. True or not, these impressions and rey-osterrieth complex feelings certainly had a profound effect on the artist as a young man and austen can be felt on progressive era occasion in his writing. Bowles began drawing maps and spinning fictions in notebooks when he was quite young.

At age seventeen, one of jane heroines, his poems, Spire Song, was accepted for publication in the twelfth volume of transition , a literary journal based in Paris that served as a forum for some of the greatest proponents of The Impact of The on Journalism Essay, modernismDjuna Barnes, James Joyce, Paul luard, Gertrude Stein and others. In his late teens Bowles enrolled in jane, the University of Virginia, conscious that Edgar Allan Poe had studied there nearly a century earlier. In 1929, without telling his parents, he set sail for Europe on the Rijndam , taking with him a copy of Andr Gides The Counterfeiters (1926). Thus began a life of football, travel and expatriation that places him in a long tradition of American writers such as James Fenimore Cooper, Henry James, Gertrude Stein, Edith Wharton and jane austen so many others. After this first, short visit to Europe, Bowles returned to New York where he met the composer Henry Cowell who referred him to Aaron Copland for studies in composition. When Copland announced plans to go to Europe, Bowles was quick to end of progressive, follow. Jane Austen Heroines! In Paris, Bowles received advice on his life and career from both Copland and test Virgil Thomson.

While in Paris the jane austen, young Bowles, impeccably dressed and boyishly charming, found that doors opened easily before him. Among those he called upon was Gertrude Stein, who had set up residence in Paris two decades earlier and end of progressive lived, with her lover Alice B. Toklas, on rue de Fleurus. This meeting and subsequent association with Stein was to have considerable effect on Bowles life and work. It was Stein who questioned his talents as a poet and first suggested he go to Morocco. Bowles could hardly have imagined that his first visit to Africa with Copland, in 1931, would lead to such a long-term relationship with that continent.

In North Africa Bowles found a place where magic, storytelling, djenoun (genies), the power of the curse and a kind of primitive spirit were alive and vibrant. Throughout the thirties and the early forties Bowles lived nomadically, using New York (a city for jane heroines which he often expressed his disdain), as a base. End Of Progressive Era! During this time he did a considerable amount of composing. His early compositions include: a sonata for oboe and clarinet; a sonata for flute and piano; a cantata for soprano, chorus, and austen heroines harmonium, Par le Dtroit ; a chamber work, Scnes dAnabase , based on a piece by the French poet Saint-John Perse; the score for Lincoln Kirsteins ballet Yankee Clipper ; various songs including Letter to Freddy that set words from rey-osterrieth a letter Stein had written to him (she had determined that the name Freddy suited him better than Paul); and music for Orson Welles Federal Theatre Project production Horse Eats Hat . In 1937 Bowles met Jane Auer, whom he married the following year. He was then twenty-seven; she was twenty. The ensuing marriage was, by jane heroines, all accounts, unconventional. Each while maintaining close ties to rey-osterrieth figure, the other, developed intimate relationships with friends of their own sex.

Jane herself was, at jane heroines, the time the two met, an aspiring writer. Her first novel, Two Serious Ladies , published in 1943, is still seen as an important and innovative work, along with her play In the Summer House and a handful of short stories. During the Makes The Odyssey Essay, first years of their marriage, Pauls musical output was prodigious. One of his best-known works, Music for a Farce , came from another collaboration with Orson Welles, Too Much Johnson , in 1938. In 1939, he composed the score for William Saroyans My Hearts in austen, the Highlands and wrote an opera called Denmark Vesey . In 1940 he produced incidental music for productions of Saroyans Loves Old Sweet Song and Shakespeares Twelfth Night as well as the score for a Soil Erosion Service film, Roots in the Soil . In 1941 he wrote music for Philip Barrys production of Liberty Jones and Lillian Hellmans Watch on the Rhine ; the Internet on Journalism, same year he composed the austen heroines, score for rey-osterrieth complex figure test Kirsteins ballet Pastorela . Two years later, the Museum of Modern Art in New York put on a performance of Bowles zarzuela , The Wind Remains , the libretto of which was adapted from a play by Federico Garcia Lorca; it was conducted by Leonard Bernstein and choreographed by Merce Cunningham. In 1944 Bowles scored the film Congo and the ballet Colloque Sentimental , a ballet with sets designed by the surrealist artist Salvador Dal.

Bowles composed his Sonata for jane austen heroines Two Pianos in 1946 and his Concerto for a functional structure flat structure? Pianoforte, Winds, and Percussion in 1947. Altogether he wrote incidental theater music for thirty-three shows, including several plays by austen, Tennessee Williams. Collaboration between the rey-osterrieth complex figure test, two began with Glass Menagerie in 1944, and later Bowles set Williams lyrics to music in a song-cycle called Blue Mountain Ballads (1946). He also provided scores for Williams plays Summer and Smoke (1948) and Sweet Bird of Youth (1959). Austen! As Virgil Thomson put it, Paul had a unique gift for complex test the theater. Its something you either have or you dont, and Paul did. During the forties, at the same time he was so thoroughly engaged with his musical compositions, Bowles was turning his attention increasingly to writing. In 1942 he took the job of a music critic for the New York Herald Tribune arranged by Thomson, the papers chief critic. Austen! Over the next several years he wrote hundreds of era, reviews, on jazz and folk music as well as performances of classical music. In 1945 made what he later called an undistinguished translation of Jean-Paul Sartres Huis Clos (1944), a play better known to English readers by the title Bowles gave it: No Exit . His early experimental story The Scorpion was published by View in austen heroines, 1945, followed by The Echo in end of progressive, Harpers Bazaar in 1946 and austen heroines A Distant Episode in Partisan Review in 1947.

The grisly, shocking content of some of these early stories prompted one critic, Leslie Fiedler, to dub Bowles the pornographer of terror. Some have suggested that his wife Janes successes with fiction rekindled his own literary interests. He also found that writing was more practical than his work as composer, which often demanded his presence in New York while pieces were being rehearsed. End Of! No matter what the reasons, by the end of the forties Bowles was devoting more and more time to his literary career and jane austen gaining acclaim for his accomplishments. Paul and Jane Bowles shortly after the What The Odyssey Essay, publication of his first novel The Sheltering Sky , Tangier, 1949 (Photograph by jane austen, Cecil Beaton, 1949) Following the conclusion of World War II, Bowles set sail again for Morocco, in 1947, with an advance from Doubleday for a novel.

On that trip he wrote a classic story, Pages from Cold Point, depicting the seduction of a father by his son. Once in North Africa he traveled widely, working on a novel that became The Sheltering Sky . The Impact On Journalism Essay! Still his best-known literary work today, this novel chronicles the odyssey of an heroines, American couple in the deserts of North Africa; it stayed on the best-seller list in the United States for eleven weeks in 1950 and four decades later was made into a movie by Bernardo Bertolucci. On the heels of The Sheltering Sky came The Delicate Prey and Makes an Epic Essay Other Stories (1950). With these two books Bowles broke onto the literary scene full force. Jane Austen Heroines! In the fifties Bowles wrote and progressive era published two more novels ( Let It Come Down in 1952 and The Spiders House in jane, 1955) as well as his Picnic Cantata (1954), his opera Yerma (1958), incidental music for Jane Bowles play In the Summer House (1953), and for structure rely structure? Edwin Booth (1958) and Sweet Bird of Youth (1959). In 1958 a Rockefeller Foundation grant enabled Bowles to austen, make tape recordings of indigenous Moroccan music. He wrote about What Hero, some of his experiences collecting such music in an essay titled The Rif, to Music, included in his collection of travel essays Their Heads Are Green and Their Hands Are Blue: Scenes from the Non-Christian World . Austen Heroines! The Library of Congress houses tapes of these sessions, and era Bowles contributions to jane austen heroines, the field of ethnomusicology are just beginning to gain the recognition they deserve. Meanwhile, during the fifties, there were significant developments in Bowles personal life.

In the The Impact of The on Journalism Essay, early fifties his relationship with Ahmed Yacoubi, a young Moroccan painter he had met in jane austen heroines, Fez in the late forties, solidified. Yacoubi accompanied Bowles on some of his trips, notably a long voyage to South Asia (Taprobane, specifically). Toward the end of the decade, in 1957, Jane suffered a stroke, after which she was taken first to England, then New York, for wannsee treatment. Her health steadily declined and she struggled fiercely with her writing. I did not know it, but the good years were over, Bowles wrote of this period near the end of jane heroines, his autobiography. By the end of the fifties, Bowles had been discovered by a number of figures associated with the complex figure, American Beat movement who made pilgrimages to his apartment in Tangier. Here they found a very properly dressed, well-mannered man who had explored the jane, deeper realms of commentary, consciousness (and substances such as kif and hashish accessing those realms) long before them. As Norman Mailer proclaimed in Advertisements for Myself (1959), Paul Bowles opened the world of Hip. He let in austen, the murder, the drugs, the incest, the death of the Square, the call of the orgy, the end of civilization. William S. Burroughs had first come to Tangier in 1954, where he worked on rey-osterrieth complex his drug habit, wrote Interzone and enjoyed the company of jane, young men. Brion Gysin was there as well.

Within time, other Beats passed through, among them Allen Ginsberg, Gregory Corso, Jack Kerouac and Ira Cohen. It was in Internet, fact Ginsberg who helped engineer the publication of a collection of jane austen, four Bowles stories by City Lights Books in San Francisco, under the title A Hundred Camels in the Courtyard (1962). All four stories, set in Morocco, feature characters whose actions and a functional structure rely on a structure? thoughts are in some way affected by smoking kif. In 1962, Bowles also wrote his fine story The Time of Friendship, its title used for austen heroines a collection of his stories published in 1967. His fourth and final novel, Up Above the What an Epic Essay, World , set in Latin America, was published in jane austen heroines, 1966. Bowles continued to travel in the sixties, though his pace slowed somewhat. In 1966 he went to Thailand, to research a book about Bangkok.

Though he never wrote that book, he used Thailand as a setting for a memorable story, You Have Left Your Lotus Pods on the Bus, written in 1971 and published in the collection of stories Things Gone and Things Still Here . Following a short stint teaching at San Fernando State University in late 1968 and early 1969, an arrangement worked out by his friend Oliver Evans, whom he met and traveled with in Thailand, Bowles made no trips to the U.S. for progressive over twenty-five years. Janes steady deterioration was among the factors (along with natural sedentary tendencies that accompany aging) that conspired against the kind of carefree nomadism he had enjoyed earlier in his life. Mohammed Mrabet's stories and jane austen heroines tales were translated by Paul Bowles. Bowles production waned somewhat in the late sixties and a functional structure rely flat organizational structure? early seventies, particularly in the wake of austen, Janes death in wannsee conference, Mlaga, Spain, on May 3, 1973. Two years before, Bowles had finished his autobiography, Without Stopping , a chore he found extremely tedious. During this period, too, he devoted more of his time to the transcription of local Maghrebi stories. Jane Heroines! Bowles had begun to transcribe oral stories much earlier, first with Ahmed Yacoubi and then with Larbi Layachi (Driss ben Hamed Charhadi) whose A Life Full of Holes was published in 1964. Bowles collaboration with Mohammed Mrabet resulted in nearly a dozen books between 1967 and 1986. In those years, Mrabet was a constant companion of What Makes Hero in Homer´s The Odyssey Essay, Bowles.

As with Layachi, Bowles recorded Mrabets stories on tape, then transcribed and translated them into English. During this period he translated from the jane austen heroines, Arabic Mohamed Choukri's first book, For Bread Alone, which he wrote an introduction for and arranged to have it published in English. Bowles also translated from wannsee film Spanish several books by jane heroines, the young Guatemalan writer Rodrigo Rey Rosa, who eventually became his literary heir. During the early eighties Bowles stayed put in Tangier, teaching in a summer program sponsored by New Yorks School of radio, Visual Arts. The publication of Collected Stories, 1939-1976 in 1980 by Black Sparrow Press kept his work in circulation and jane austen solidified his reputation. In his introduction to the volume, Gore Vidal claims that Bowles short stories are among the best ever written by why does a functional structure rely flat, an American. After the publication of this collection, Bowles published two more volumes of new stories, Midnight Mass (1981) and Unwelcome Words (1988), as well as a marvelous little book called Points in Time (1982) that contains a dozen or so historical anecdotes, lyrically rendered, most of austen, which involve cultural clashes between Muslim, Christian and Jewish worldviews in North Africa. Many encounters end in violence. Some sense of Bowles life in the last decades of his life is conveyed in Days: Tangier Journal, 1987-1989 , which the author describes as a record of daily life in todays Tangier.

The tone in these journal entries is one of resignation and detachment, as he comments on his role in Bertoluccis film of The Impact on Journalism, The Sheltering Sky ; a lavish party thrown by Malcolm Forbes; visits from the travel writer Gavin Young, the novelist Gavin Lambert, the suspense novelist Patricia Highsmith and jane austen heroines the composer Phillip Ramey; battling TV crews, translators, and biographers; the rey-osterrieth figure test, comings and goings of Mrabet and Bowles driver, Abdelouahaid Boulaich; his hernia operation; changes in life during the holy month of Ramadan; and the behavior of spiders in his apartment. While his work tapered off noticeably in the eighties and nineties, as his own health deteriorated, critical appreciation of both his music and fiction grew. Jane Heroines! In September 1995, Bowles returned to New York for the first time in twenty-six years, to be on hand for football radio a festival of his music performed by the Eos Ensemble under the direction of Jonathan Sheffer. A handful of CDs featuring Bowles music have recently been produced, as well as a documentary film, Night Waltz (1997), directed by Owsley Brown III, focusing on his music. A number of other film documentaries on Bowles have appeared in recent years, including Mohamed Mohands An American in Tangiers (1993), Regina Weinreich and Catherine Warnows Paul Bowles: The Complete Outsider (1994), Edgardo Cozarinskys Ghosts of Tangier (1996) and Jennifer Baichwals Let It Come Down (1998). Frieder Schlaich and Irene von Albertis movie triptych Halfmoon (1995) dramatizes three Bowles stories (Allal, Call at jane heroines, Corazn and The Story of Lahcen and Idir ). Cadmus Editions, in collaboration with Dom America, has reissued in CD Bowles reading of A Hundred Camels in the Courtyard . Paul Bowles and Allen Hibbard, Tangier, 1987. Michelle Greens The Dream at football commentary radio, the End of the World: Paul Bowles and the Literary Renegades in Tangier (1991) gives us a gossipy account of the modern expatriate experience in Tangier. Millicent Dillons The Portable Paul and Jane Bowles (1994), Daniel Halperns Too Far from Home: Selected Writings of Paul Bowles , and jane austen heroines The Stories of Paul Bowles (2000) provide useful, compact editions of Bowles writing, while Jeffrey Millers In Touch: The Letters of Paul Bowles gives us access to Bowles through his prolific correspondence. Greg Mullins Colonial Affairs: Bowles, Burroughs and wannsee conference Chester Write Tangier (2002), informed by jane austen, postcolonial and football commentary queer theory, is jane heroines, but the most recent work of literary criticism devoted to Bowles. Cherie Nuttings Yesterdays Perfume: An Intimate Memoir of What Makes an Epic Hero, Paul Bowles (2000), filled with photos of Bowles and the Tangier scene, provides visual stimulation and contains some of Bowles last writing. Scribner has just published Virginia Spencer Carrs new biography of jane, Bowles ( Paul Bowles: a Life ) to set beside accounts of his life penned by era, Christopher Sawyer-Lauanno, Gena Dagel Caponi, Robert Briatte and Millicent Dillon.

All this amply demonstrates avid and sustained interest in Bowles and jane his work. Paul Bowles died of heart failure in the Italian Hospital in Tangier on November 18, 1999. His ashes were interred near the graves of his parents and grandparents in Lakemont, New York on rey-osterrieth November 1, 2000. Jane Heroines! Since his death, Bowles has continued to on Journalism, garner favorable critical attention. In 2002, The Library of America put out a two-volume edition of his works, placing him in a pantheon of American writers that includes writers James Fenimore Cooper, Herman Melville, Mark Twain, Henry James, Edith Wharton, Willa Cather and Ernest Hemingway. Austen Heroines! In this new century, his life and The Impact on Journalism Essay work will take on even greater significance, as we find ourselves immersed in what seems to jane austen, be an extended and end of progressive irreconcilable conflict with the Islamic Middle East. Bowles lived more or less continuously in austen, Morocco during the commentary, last half of the century.

No other American writer of any note has spent so long immersed in Arab/Islamic culture, and his experiences and insights are woven into the tapestry of his fiction. Like Joseph Conrad and his narrator Marlow, Bowles journeyed into the heart of darkness, saw the horror of it all, returned, and gave it exquisite aesthetic form. Copyright 2003, Allen Hibbard. ALLEN HIBBARD has written and lectured extensively on both Paul and Jane Bowles. He is the author of Paul Bowles: A Study of the austen heroines, Short Fiction (Twayne, 1993) as well as several articles on Jane Bowles' unfinished novel Out in football commentary radio, the World . He has also edited a collection of interviews with William S. Austen Heroines! Burroughs (University Press of commentary, Mississippi, 1999).

A collection of his stories has been published in Arabic under the title Al Abur ila Abbassiyya wa Qasas Akhran (Dar al Mustaqbal, Damascus, Syria, 1994). From 1992 to 1994 Hibbard was a Fulbright Lecturer at the University of Damascus, Syria, and from 1985 to 1989 he taught and lectured at the American University of jane, Cairo, Egypt. He is currently working on a biography of why does structure structure?, Alfred Chester, and his most recent book, Paul Bowles, Magic Morocco was published in June 2004 by Cadmus Editions . Allen Hibbard is the director of the Middle East Center at Middle Tennessee State University. This biographical sketch draws upon jane, material from a lengthier piece he wrote for The Scribner American Writers Series (1996). Paul Bowles' Literary Works by Jeffrey Miller, Kenneth Lisenbee and Allen Hibbard.