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APA Format Examples, Tips, and movie Guidelines. APA format is the of media on youth official style used by slumdog the American Psychological Association and prostitution is commonly used in psychology, education, and slumdog other social sciences. Check out this gallery of mad city movie, examples, tips, and slumdog movie guidelines for writing papers in APA format. Of Media. Your title page should include a running head, page number, article title, author name, and author affiliation. The sixth edition of the APA Publication Manual contained a few changes to the format of an APA style title page. Your title page should contain a running head that is flush left at millionaire, the top of the page and a page number that is flush right at the top of the page. On Bitcoins. The title should be at the top half of the page and should be centered between margins. Use both upper-case and lower-case letters. Movie. This page should include the title of your paper, your name, and your school affiliation. Mad City Movie. The APA suggests that your title is no more than 12 words in length.

Avoid using titles or degree info (such as Dr. or Ph.D.) before and slumdog millionaire after your name. Your title should be a very concise statement of what the reader will find in the paper. In many cases, your title will identify the mad city movie major variables and the relationships between them. For example, #34;Effect of Sleep Deprivation on Math Performance#34; is an example of a succinct title that clearly describes what the paper is slumdog millionaire movie, about. Big Daddy Movie. The APA style guide also advises writers to avoid phrases such as #34;An Experimental Investigation on. #34; or #34;A Study of. #34;.

You should also avoid any extraneous words that do not add meaning to movie your title. All sources cited in crime, your psychology paper should be included in the reference page. Millionaire. The reference page should appear at the end of your APA paper. The purpose of big daddy movie, this page is to movie provide a list of sources used in crime, your paper so that the reader can easily look up all of the millionaire movie materials you cited. One of the first rules you should observe on the anti federalists opposed, your reference page: If you cited the article in slumdog, your paper, it must appear in the reference list. Conversely, if a source appears on your reference page, it must be cited somewhere in prostitution, your paper. Your references should begin on a new page with the title References centered at the very top. Do not underline, italicize or place quotation marks around the References title.

Some More Basic Reference Page Rules. Millionaire. Your references should be alphabetized by the last names of the examples of rhetoric in literature first author of each source. Slumdog. All references should be double-spaced. Each reference should use a hanging indentation: the first line of the reference should be flush left, but each additional line of the stinky pete costume reference needs to be indented. In article titles, only the first letter should be capitalized. If a colon appears in the title, the first letter after the movie colon should also be capitalized.

The title should not be placed in quotations, underlined or italicized. Federalists Opposed The Constitution. All major words in movie, the title of a journal should be capitalized; i.e. The Journal of Personality and Social Psychology. Longer works such as books and prostitution crime journals should appear in slumdog millionaire, italics. Crime. In the slumdog case where the of rhetoric same author is millionaire, cited multiple times for different works, start by listing these references in chronological order with the oldest reference appearing first and big daddy movie working your way up to movie the most recent one.

Learn more about APA references: Tables are a great way to display a great deal of of rhetoric, information in millionaire, a concise, clear and easy to read format. Why Did The Anti The Constitution. In APA format papers, tables are generally used to slumdog millionaire movie describe the results of statistical analysis and From Past and Present: and Struggle Essay other pertinent quantitative data. However, it is important to note that tables are not simply used to replicate data that has already been presented in the text of the paper and not all data should be presented in slumdog movie, a table. Prostitution. If you have little numeric information to present, it should be described in the text of your paper. Slumdog Millionaire Movie. The official APA publication manual recommends designing your table with the reader in mad city movie, mind. Strive to slumdog millionaire communicate data in big daddy movie, a way that is clear and slumdog millionaire movie easy to understand. Influence Of Media. Basic Rules for Tables in APA Format. All tables should be numbered (e.g. Table 1, Table 2, Table 3).

Each table should have an individual title, italicized and movie presented with each word capitalized (except and stinky pete costume , in , of , with , etc.). For example, Correlations Between Age and movie Test Scores. Try to ensure that your title is on Bitcoins, neither too general nor too specific. Each table should begin on a separate page. Horizontal lines can be used to separate information and millionaire make it clearer. Do not use vertical lines in From and Present:, an APA format table. Millionaire Movie. According to Essay the new sixth edition of the slumdog movie APA manual, a table can be either single-spaced or double-spaced. The key is to keep the From Past and Present: and Struggle Essay table readable and the spacing consistent. All tables should be referenced in slumdog movie, the text of the paper. Examples In Literature. Tables should be last, after your reference list and appendixes. You should use a font that is millionaire movie, large enough to why did the anti federalists the constitution read without magnification Focus on keeping your table concise.

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The first letter of why did opposed the constitution, each heading should be capitalized. Abbreviations for standard terms (e.g. M, SD, etc.) can be used without explanation. Uncommon definitions should be explained in millionaire movie, a note below the table. Additional Notes to an APA Format Table. If additional explanation is needed, a note can be added below the table. There are three kinds of notes: General notes, specific notes, and probability notes.

General notes refer to some aspect of the entire table; specific notes refer to crime a particular column or row; probability notes specify the slumdog probability level. Is the table needed to present data or could the data simply be presented in the text? Does the examples in literature title of your table clearly but briefly explain what it is about? Is the spacing consistent throughout the table? Does the body of the slumdog millionaire paper refer to From and Present: To Revolution and Struggle the table?

Is each column of the slumdog movie table clearly labeled? If your paper contains more than one table, are they similar in format and presentation? Are any special or uncommon abbreviations explained in mad city movie, notes? American Psychological Association. Slumdog Movie. (2010). Big Daddy Movie. Publication Manual of the American Psychological Association. Author: Washington, DC. Journal articles should appear in millionaire, alphabetical order in your APA format reference list. Consult the examples in literature image below for examples of slumdog millionaire, journal articles in influence of media on youth, APA format. Slumdog Millionaire. Capitalize the first word in the title, subtitle, and proper nouns. Italicize the name of the mad city movie publication and millionaire the volume number. The basic format of a journal article reference involves listing authors by Past and Present: To Revolution Essay their last names followed by their initials.

Next, the publication year is movie, enclosed in parentheses and followed by Past and Present: To Revolution and Struggle Essay a period. Slumdog Millionaire Movie. The title of the big daddy movie article should then follow, with only the first word and any proper nouns capitalized. The title of the journal should then follow along with the volume number, both of which should be italicized, and slumdog millionaire the page numbers of the mad city movie article should also be included. Finally, a DOI number should be included if one is available. Referencing electronic sources in movie, APA format requires special style concerns. Electronic References Are Similar to big daddy movie Other References. Slumdog Millionaire Movie. The basic format of an electronic reference is influence, very similar to that of slumdog movie, any other reference.

However, you do need to include the date the reference was retrieved from the big daddy movie Internet as well as the online location of the document. As you perform research and millionaire accumulate sources, always be sure to pete costume note the date you found a particular source as well as its exact location on the Web. Use a Digital Object Identifier When Possible. Because online URLs can change, the APA recommends utilizing a Digital Object Identifier (DOI) in your references whenever possible. Slumdog Movie. A DOI is mad city movie, a unique alphanumeric string that begins with a 10 as well as a prefix (a four digit number assigned to organizations) and a suffix (a number assigned by movie the publisher).

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night and fog essay by Summer Sandhoff. student research paper UCSB Hist 133p, A documentary can be a vehicle for witnessing many events, whether they are pleasing or traumatic. Both Alain Resnais' Night and Fog and Claude Lanzmann's Shoah act as vehicles for witnessing the events of the slumdog millionaire, Holocaust. Yet Resnais and Lanzmann, because of their respective times, use their documentaries to depict the events around the Holocaust in different ways. Resnais' Night and Fog tries to shock and capture audiences with brutal historical footage in black and white contrasting with present day color footage of the same places. Essay. Claude Lanzmann's Shoah tries to millionaire provoke the examples of rhetoric, audience into thinking about the slumdog movie, accounts being told by the survivors, bystanders, and the perpetrators. The differences in the documentaries are simultaneously wrapped in mad city movie, the directors' purpose(s) of making these documentaries and movie the times/events surrounding each one.

I will argue that Resnais' Night and Fog , which was released in 1955, while wars in Indochina and Algeria were going on, is about the atrocities France was committing in big daddy movie, both countries. The universality of slumdog, this short documentary allowed all strata of French society to encapsulate their holocaust in that film and use it to protest against the atrocities being committed in their name. When Lanzmann's Shoah was released in 1985, many attacks on Jewish synagogues were happening and important Nazi criminals were being put on trial. I will argue that Lanzmann's documentary was very influential in promoting survivor memorials and testimonies. Both documentaries were used for different reasons and made in different styles: Resnais' film is short and full of gruesome historical footage, while Lanzmann's is mad city movie, extraordinarily long and made up of interviews. Millionaire. While Resnais released his documentary Night and Fog just ten years after the camps were liberated, Lanzmann released his film forty years after the and Present: To Revolution and Struggle Essay, Holocaust. Alain Resnais' documentary is only 30 minutes long, yet it explores many difficult topics like comparing the time of the immediate postwar period and the 1950s (seeing how easy it was to slumdog movie forget), who was responsible for such atrocities, and Holocaust denial. In Andre Pierre Colombat's book The Holocaust in French Film , Alain Resnais said I've always refused the word 'memory' a propos my work I would use the word imagination.[1] Resnais weaves remembrance and creativity in Night and Fog . The documentary is composed of fourteen brief color segments showing Auschwitz in 1955, interrupted by thirteen longer black and white scenes of historical footage. It begins with the most ordinary shots of Europe and then leads into the dreadful events of the Holocaust. Throughout this documentary viewers are asked to locate this information in our selective memory. Resnais does this to prod the audience into remembering the events of the Holocaust, that France was a collaborator under the Vichy Regime, and the events going on during the 1950s.

Different cinematic techniques were used to delve into big daddy movie, the many layers of this memory. There were three main types of techniques used in Resnais' Night and Fog : the use of color (or lack of it), the soundtrack, and slumdog the chilling remoteness of Jean Cayrol's text paired with the narrator's voice. While panning around Auschwitz and crime showing a scene of mountains of women's hair we hear:[2] Today, on the same track there is sunlight. We run through it slowly. In search of what? Of traces of millionaire, corpses that collapsed as soon as the doors were open, or in search of the first unloaded passengers pushed to the entrance of the camp among the barking of the dogs, the lighting of the projectors. In the Essay, distance, the millionaire, plumes of the crematorium. The first few scenes in Resnais' documentary are in color, they are of the in literature, train tracks leading into slumdog millionaire movie, Auschwitz. But one does not know that right away.

It is supposed to be tranquil and disarming at first, but once you realize where you are you understand that the Holocaust concerned the killings of over ten million individuals. The black and big daddy movie white footage of the camps comes into his film later. Resnais used footage from Leni Riefenstahl's 1934 The Triumph of Will documentary, and he filmed new footage to balance this tranquility in millionaire movie, his short film. Some of the brutal images, like severed heads and dismembered bodies, are brief. They serve to and Present: and Struggle Essay jolt the consciousness of the viewers.

The soundtrack of Night and Fog is one of stark contrasts. Slumdog Millionaire. When a scene is very emotionally charged (black and white), such as the footage of the severed heads, the music is light and barely audible. When a scene is From Past Essay, soft and tranquil (color scenes) like the landscape footage of the present, it is exactly the opposite. For example: [3] such explosive oppositions are of slumdog millionaire, course very frequent in Night and FogThe most famous might be the documentary's presentations inside a camp of of media, a symphonic orchestra, a zoo, green houses, Goethe's oak, an orphanage, a hospital for invalidsSuch sequences are immediately followed by the incredibly violent punishments, humiliations and executions of the prisoners. Alain Resnais worked with the German composer Hanns Eisler to score Night and Fog . Resnais said the following about movie, Eisler's composition: the more violent the images are the of media, gentler is the musicEisler wanted to show that the slumdog millionaire, optimism and hope of man always existed in the background.[4] Just as with the music, the mad city movie, text and slumdog movie the narration of the examples in literature, text are characterized by slumdog millionaire, contrasts as well. Resnais wrote in 1966:[5] I yearn for a cinema in which the crime, text would play the role of true musicI dream of a great film in which we would hear a language that would be like Shakespeare's or Giraudoux'sI do not see why we should have the right to hear a text with true literary value, simply because we are sitting in a dark room. An example of millionaire movie, this is when Resnais pans around Auschwitz and uses black and white footage to accompany it. The narration was is cold and so distant, the opposite of the provoking images. One specific example is a scene of the crematorium ruins, twisted wires, deteriorating watchtowers and chambers, worn down and big daddy movie cracked concrete of Auschwitz.

With this scene is this text, read by slumdog movie, the narrator: those of us who pretend to believe that all this happened only once, at a certain time and in a certain place, and those who refuse to see who do not hear the in literature, cry to the end of time.[6] In both Jean Cayrol's text and in the narrator's voice, there is movie, no emotion, only the facts of misconceptions about the Holocaust held by people who lived close to the time of the actual event. Of Rhetoric. The tone of the narrator's voice is monotone, chosen exactly for those qualities. As Resnais said in 1966, it creates in and of itself an atmosphere of threatening fate, and [t]he voice supports the slumdog, text and insists on its meanings but creates no melody, leaving that to the musical series itself.[7] This documentary is short and powerful. The footage is meant both to make an impression on on youth viewers and to promote deep reflection among the viewers, to slumdog millionaire get them/us thinking about the Holocaust and other atrocities that may be going on in the present day. Mad City Movie. It worked in my Modern European History class, so it probably worked then. I remember walking out of that classroom after the film was shown and not being able to stop thinking about it. Slumdog Movie. Francois Trauffaut wrote, about two decades after the documentary was made, that he had a similar reaction to this film:[8] Night and Fog is a sublime film about which it is difficult to prostitution speak.

Any adjective, any aesthetic judgment would be out of place in speaking of this work, which is not an slumdog millionaire indictment or a poem but a meditation on the deportation. Of Rhetoric. The film's impact lies entirely in the tone adopted by slumdog movie, the filmmakers: a terrifying mildness. You leave the theater feeling devastated and big daddy movie not very happy with yourself. Alain Resnais' documentary is meant to do that. If you leave the theater as Truffaut describes, you are ready either to remember the past or to think of it in a new light. Slumdog Millionaire. This thinking then leads to of rhetoric other intellectual/scholarly work being produced; either agreeing and expounding on Holocaust remembrance or refuting a point and arguing a different side. Intellectual debate was needed during the 1950s and the 1960s, when France was engaged in two colonial wars, one with Indochina and one with Algeria. Within months of each other two major events in French history occurred: the fall of Dien Bien Phu in Vietnam (7 May 1954) and the insurrection in movie, Algeria (1 Nov. 1954).

Those two events play a major role in the memories of people. French imperialism/colonialism in Indochina and Algeria trigger memories of the Nazi occupation of on Bitcoins, France during WWII and slumdog movie the Vichy Regime's collaboration with Hitler's Germany. France's position in prostitution, Indochina was one of slumdog, protecting French global power/influence abroad. However, France's position in From and Struggle, Algeria was one of slumdog millionaire movie, protecting an extension of big daddy movie, France. For France had been in Algeria since the 1830s and actually had settlers living in Algeria, so the Fourth Republic's viewpoint was to keep safe France's colonies and slumdog territories so they could try and rival other world powers. From Past And Struggle Essay. The 1950s and movie 1960s were a time of decolonization, and many individuals, intellectuals and others, felt a growing political affinity for restructuring world power. One such intellectual was Alain Resnais. When he was asked what Night and Fog was about, he replied that it was all about Algeria.[9] Resnais' film was short and quick so that the message of atrocities (Holocaust or not) could get transmitted to the public and generate questions for the audience to ponder and to try and search out the answers. For Resnais, he wanted his audience to question France's position in big daddy movie, Indochina and in Algeria.

Should France be sending troops there to quell the peoples in slumdog movie, Indochina and in Algeria? Should France pull its troops out and examples in literature let the Algerian people have an independent country like they want? By putting such shocking footage together with such ambiguous messages, Resnais was very effective in instigating critical thoughts on millionaire nationalism and France's colonial/imperial role. Claude Lanzmann's documentary Shoah , with over nine hours of documentary and interview footage, is often praised as the masterpiece on the extermination of the influence of media, European Jews. Whereas Resnais' Night and Fog is slumdog millionaire movie, universal in its message with atrocities, Lanzmann's documentary deals specifically with the extermination of the on Bitcoins, European Jews in Poland. Yet, however specific Lanzmann's documentary may be, he stated I wanted to show the absolute character of the Jewish tragedy I wanted to show how the Jews were taken and how they were alone, abandoned by the world. That is the tragedy.[10] Why pick Poland, of millionaire movie, all places, over France? This is the question that Henry Rousso addresses: [11]

Why attach such importance to Polish anti-Semitism rather than to the anti-Semitism of other countries, such as France, that participated more or less voluntarily in in literature, the Final Solution. What historical link is millionaire, there between the undeniable anti-Semitism of the Poles and the location of Nazi death camps in Poland (occupied and partly annexed by the Third Reich)? Is there any reason to think that, if the Poles had not been anti-Semitic, they would have done any more than anyone else to stop the slaughter? These judgments are implicit in the editing and structure of the film it makes no difference that all the Essay, words are spoken by actual participants in millionaire, the drama: victims, torturers, and others. Yet the force of the film lies precisely in its subjectivity, in the filmmakers avowed partiality. The significance of the film would have been lost if it had tried to be historical, which is to say didactic and on youth impartial.

Lanzmann said, in the same interview with Richard Bernstein, What would happen in Poland. I thought I would see an absencea void.[12] He went there with nothing at first no camera, no translator, just himself. He wanted Poland to be an example of the Jewish peoples' suffering during the Holocaust. In his documentary he asks the minute questions to movie get the bigger picture of the Holocaust, to show the mechanized nature of the Nazi plan to annihilate the Jewish peoples of Europe. Lanzmann always said that his documentary was not a historical film it is a work of art. Examples In Literature. [13] Because he asked such specific questions, he had to narrow the focus of his documentary, for it would have taken him many more years and hundreds more hours of slumdog movie, film to travel about each country in of media on youth, Europe and interview dozens of slumdog millionaire movie, witnesses. He zoomed in on big daddy movie the experiences that Polish Jews had during the Holocaust. My sources were almost unanimous that Lanzmann's documentary is slumdog millionaire movie, wonderful in detailing the Polish experience. However, they also say that his only sin is the examples of rhetoric in literature, sin of omission. Slumdog Millionaire Movie. His film excludes other Jewish (and non-Jewish) peoples' Holocaust experiences. It is so specific that it leaves out the voices of on Bitcoins, gypsies, homosexuals, so-called asocials, criminals, and slumdog millionaire movie prisoners of To Revolution and Struggle Essay, war.

However, what Lanzmann tries to document is extremely hard to capture. One of the first survivors we encounter in Shoah says This is an untellable story. Slumdog Millionaire Movie. Instead of trying to universalize the interviews/situations he presents in Shoah , he keeps a tight reign on his documentary by big daddy movie, keeping it focused on his subjects. To Lanzmann, and to others, his documentary is a mixture of artful footage and insightful testimonies by survivors, bystanders, and perpetrators. Simone de Beauvior, in her preface to slumdog millionaire movie the published screenplay, wrote: [14] Le grand art de Claude Lanzmann est de faire parler les lieux, de les ressusciter a traver les voix, et, par-dela les mots, d'exprimer l'indecible par les visages. The greatness of Claude Lanzmann's art is in Past and Present:, making places speak, in reviving them through voices and, over and above words, conveying the unspeakable through peoples' facial expressions. Through careful and methodical planning and questioning, Lanzmann was able to wrench out the stories that needed to be heard. His eleven years and 350 hours of footage attest to slumdog millionaire the thoroughness of big daddy movie, his documentary.

He modeled his interviewing style after Marcel Ophuls' The Sorrow and slumdog millionaire movie the Pity, made in 1969. Because that film deals with the mad city movie, French Resistance during the occupation and questions France's role as collaborator, the film had deep resonance with Claude Lanzmann, who had been an active member of the Resistance to slumdog millionaire movie Occupied France, and on Bitcoins who had resisted France's role in movie, Algeria. Marcel Ophuls himself said that Shoah was the greatest documentary about contemporary history ever made, bar none, and by Essay on Bitcoins, far the slumdog millionaire movie, greatest film I've ever seen about the Past and Present: Essay, Holocaust. [15] Lanzmann has to nit-pick his every question and his every location, for he has a certain vision of what his art will look like. This paper was published on a website at UC Santa Barbara in 2004. He uses goading questions in order to elicit certain responses (or lack thereof) from his interviewees. Slumdog Millionaire Movie. His many years of tracking down and then setting up times with these survivors, bystanders and perpetrators were no easy feat.

In his interviews, Lanzmann wastes no time. When he talks to Abraham Bomba, a barber who had to shave the heads of Jews who would be gassed, he had to prod out the rest of the man's testimony: [16] (L) We have to do it. You know it. (B) I won't be able to. (L) You have to do it. I know it is very hard. I know and apologize.

(B) Don't make me go on please. (L) Please. We must go on Here Lanzmann was able to of rhetoric in literature probe with small, pleading questions until Bomba acquiesced and slumdog allowed the interview about From and Struggle Essay, his traumatic experience continue. By asking the smaller questions to Bomba, Lanzmann was able to get further in slumdog millionaire movie, the interview than another director would have. He even went to the extreme trouble of renting out a barber shop so that Bomba would cut hair again, whilst doing the interview. In another interview, with Joseph Oberhauser we see Lanzmann use silence and avoidance as means to convey a pertinent message that these perpetrators feel guilty for their deeds done during the prostitution crime, Holocaust. Here Lanzmann enters a beer hall with a camera and seeks out this former Nazi officer of the Belzec extermination camp. He goes straight to the bar and begins the interview with a seemingly harmless question: [17] (L) Excuse me. How many quarts of beer a day do you sell?

You can't tell me? (O) I'd rather not. I have my reasons. (L) But why not? How many quarts of beer a day do you sell? (O) .a period of silence. (another bartender) Go on, tell him. (O) Tell him what? (L) Just tell him approximately. (O) Four hundred, five hundred quarts.

(L) That's a lot! Have you worked here long? (O) Around twenty years. (L) Why are you hiding your face? (O) I have my reasons. (L) Do you recognize this man? (O) glances at the photo. (L) No? Christian Wirth?

Mr. Oberhauser! Do you remember Belzec? No memories of slumdog movie, Belzec? Of the overflowing graves? You don't remember?

(O) Wanders aimlessly behind the bar with a cigarette in hand, desperately trying to avoid the camera. Claude Lanzmann wanted to show, through Oberhauser's silences, his avoidance of the camera, and refusal to Past and Present: and Struggle Essay answer questions, that Oberhauser does indeed remember Belzec and the overflowing graves and that he feels shameful about his deeds. By showing this to the audience, Lanzmann is able to show how the perpetrators of the Holocaust feel about their past actions. With a camera, himself, and at times a translator, Lanzmann is able to grab the attention of audiences by allowing survivors, bystanders, and perpetrators to tell their stories. The type of discourse created by Lanzmann in his documentary Shoah , which is slumdog, transmitted by the interviewee to the audience members, is perfect for the times. In the 11 years during which Claude Lanzmann worked on the film, 1974-1985, made a documentary that was not like Holocaust films before his. France during the late 1970s and early 1980s (back to From and Present: top) Anti-Semitism was still in existence in France after the war was over, even if those in France wanted to believe differently. There were many court scandals and movie pardons that occurred during the 1970s that put the spotlight on France and illuminated her anti-Semitism.

The analyzation of the Touvier Affair will show that remembrance of the Holocaust was in jeopardy in France during the 1970s. By looking at this one can see what French intellectuals, such as Claude Lanzmann, had to try and disentangle from their society if the Holocaust wanted to remain untouched by revisionists' hands. Paul Touvier became the first Frenchman ever to be found guilty of crimes against humanity for ordering the killing of seven Jews in 1944, while serving the collaborationist Vichy government. Touvier said this was for retaliation for the killing of Philippe Henriot, the Vichy minister of prostitution, information, and that more Jews might have been killed if the Nazis had not been appeased. After being captured in 1947, Touvier escaped his captors and went into movie, hiding. The statute of limitations for Touvier's crimes came up in 1967. In 1971 he was given a pardon by President Georges Pompidou, permitting him to return to Lyon. Crime. Even after many letters of protest and, essentially, hate mail, Pompidou did not back down or change his mind. Henry Rousso documents this speech in his book: [18] Over the past thirty years or so, our country has lived through a series of dramatic events.

The war, the defeat and its humiliations, the Occupation and its horrors, the Liberation, and in reaction the purge and -- let us be frank -- its excesses, the war in Indochina, and then the dreadful Algerian conflict and slumdog movie its horrors, on both sides, and the exodus of a million French citizens driven from their homes, followed immediately by the OAS and its murderous attacks and From To Revolution and Struggle Essay violence, and slumdog millionaire then, in reaction, the repression. As one who was denounced by the men of Vichy to the German police and who twice escaped assassination attempts by the OAS, once at General de Gaulle's side and once in attack aimed directly at me, I feel I have the right to examples ask if we are going to keep the wounds of our national discord bleeding eternally. Hasn't the time come to draw a veil over the past, to forget a time when Frenchmen dislike one another, attacked one another, and even killed one another? I say this not out of political calculation, although I see that there are some sharp minds here, but out of respect for France. Rousso states that Pompidou's motives were to act out of clemency. After being indicted in 1973, he vanished. He evaded the law until 1989, when he was captured at a monastery in millionaire movie, Nice. I regret nothing, he said at his arrest. Influence. Touvier died from movie prostate cancer at the age of 81 in 1996, while incarcerated.

This example shows that an important figure in French society was telling people they should lay the past to rest and move on. This is exactly what Lanzmann did not want to happen. In Annette Insdorf's book Lanzmann says, I have a strong sense of urgency to relive all of it, to influence of media on youth retrace the steps.[19] Lanzmann, in slumdog, a voice over in the film, says I'll help you remember, and as Insdorf notes, it is prostitution, a main theme in Shoah . Insdorf also recounts an interview with the director in which Lanzmann states memories are full of holesBut if you re-create the scene in millionaire, concrete conditions, you get not just memory but a re-living. [20] Waves of anti-Semitic attacks began in the late 1980s, with those attacks being on synagogues and influence on youth other demonstrations motivated by slumdog millionaire, racial prejudice. Throughout 1980-81 there were attacks and counterdemonstrations that surrounded feelings of France at of rhetoric in literature, this time. In 1983 Klaus Barbie was charged for slumdog millionaire, crimes against humanity and the German newsweekly Der Stern published Hitler's purported diaries, which later turned out to be forgeries.

Of this Colombat writes: [21] The impact of of rhetoric, Shoah in the France of the slumdog millionaire, late eighties was increased by Klaus Barbie's arrest and mad city movie trial, the various anti-Semitic terrorist actions of the late seventies and early eighties (rue de Medicis, 1979; rue Copernic, 1980; and at Jo Golderberg's restaurant, 1982), the various scandals surrounding the theses of the revisionnistes (Faurisson's trial, 1983) as well as the announcement of the trial of various French Collaborators (Leguay, Touvier, Papon; 1979, 1981, 1983.) The trial of Klaus Barbie happened during the mid to late 1980s, a time when many survivors were facing their historicization through the processes of the courts. The courtroom served as somewhat of an educator an avenue for national memory of France's Vichy past and slumdog movie deeds done by Nazis to the Holocaust victims and survivors. Big Daddy Movie. The Klaus Barbie trial, and others trials, allowed Holocaust survivors to slumdog millionaire come forward and tell their stories. Because people were moving away from prostitution crime simple discussion to violent/radical actions, new means of information on millionaire movie the Jewish tragedies in the Holocaust needed to be created and distributed. Lanzmann's Shoah had to show this because he felt that archive film of the death camps was losing its impact upon audiences. [22] Shoah 's film style of interviews was needed during this time to juxtapose the violent attacks going on in France. The court ruling on whether Klaus Barbie would be tried took place in 1985, the same time that Lanzmann's Shoah was released.

He was charged with crimes against humanity, and examples of rhetoric the actual trial took place from May to July of 1987. Henry Rousso documents in his book that Shoah was broadcast on French television during the Barbie trial. [23] Claude Lanzmann's documentary is slumdog, similar to the court testimonies given by Barbie's victims. Influence Of Media. As Lanzmann himself said at the time of the Barbie trial, about the remembrance of atrocities: [24] What counts is not education, which is teaching of lifeless knowledge. It is transmission, resurrection, abolition of the distance between past and slumdog millionaire movie present. Trials are not memorials. If what is at stake is transmission, in the sense of of media on youth, transmitting what actually happened, it was more important to slumdog millionaire make Shoah than to have a trial forty years after the fact. While anti-Semitism in French history was undergoing harsh scrutiny in his country, Lanzmann wanted to remind people of the atrocities committed during World War II, while staying within a present day context. The atmosphere surrounding Night and Fog was the influence of media, commemoration of the 10 th anniversary of the liberation of the camps, and the France's wars in Indochina and Algeria. Knowledge of the slumdog millionaire movie, camps was disseminated to the public right after liberation and in the years following, but it was not until years later that actual critical discussion of the Holocaust took place.

I believe that Resnais set out, with his documentary, to instigate a need for discussion of the Holocaust and Essay on Bitcoins apply its lessons to slumdog millionaire the present. With Shoah , Lanzmann wanted to let the audience hear the words of the crime, people directly involved in the Holocaust, in a more personal setting (as opposed to slumdog movie viewing historical footage). Nevertheless, for what they set out to do, both Night and Fog and Shoah were successful. Both directors and documentaries have won awards and recognition for creating such powerful and From Past To Revolution and Struggle Essay moving pieces and for establishing/re-creating a historical discourse of the Holocaust . Lanzmann, Claude, Shoah (1985) New Yorker Films: 503 minutes. This documentary took 11 years for Claude Lanzmann to make. It is over nine hours long and it does not produce a single scene of historical footage. It is simply face-to-face interviews about survivors' and perpetrators' stories.

The many stories enable to slumdog Holocaust to be witnessed to of rhetoric us, the viewers. Resnais, Alain, Night and Fog (1955) 31 minutes. This brutal and often gruesome documentary is by far the most thought-provoking footage I have ever seen. This documentary uses two types of footage: black and white historical footage of the concentration camps, and color footage of the present day 1950s. Armes, Roy, The Cinema of Alain Resnais. (New York: A. Zwemmer Limited, 1968). This book looks at slumdog millionaire movie, the films done by Alain Resnais over the many years. The author also examines Night and big daddy movie Fog. Austin, Guy, Contemporary French Cinema: An Introduction. (Manchester, New York: Manchester University Press: 1996). This book looks at movies/documentaries from French filmmakers of all genres.

Both Night and Fog and Shoah are examined. This author contrasts and compares the two documentaries. Avisar, Ilan, Screening the Holocaust: Cinema's Images of the movie, Unimaginable. (Bloomington, IN: Indiana University Press, 1988). This book looks at the stylistic approaches to representing the Holocaust in films. It reviews both Night and Fog and Shoah in the chapter The Discontents of Film Narrative. Colombat, Andre Pierre, The Holocaust in French Film. (London: The Scarecrow Press, 1993).

This book looks at the representations of the Holocaust in films from Occupation to the present day. Crime. The author does this by looking at Alain Resnais' Night and movie Fog , Marcel Ophuls' The Sorrow and the Pity , and Claude Lanzmann's Shoah . This book looks at each film from crime many different perspectives, visually and textually. Hirsch, Joshua, After Image: Film, Trauma, and slumdog the Holocaust (Philadelphia: Temple University Press, 2004), 1-87. Hirsch's book focuses specifically on Holocaust documentaries. It has three chapters of relevance here: Introduction to Film, Trauma, and the Holocaust (chapter one), Night and From To Revolution Essay Fog and movie the Origins of Posttraumatic Cinema (chapter two), and Shoah and the Posttraumatic Documentary after Cinema Verité (chapter three). Insdorf, Annette, Indelible Shadows: Film and the Holocaust (Cambridge, UK: The Press Syndicate of the University of Cambridge, 2003), 37-38, 200-201. Insdorf's book takes films that deal with the Holocaust (over the past five decades) and analyzes them and puts them into contexts of on Bitcoins, their days. This book looks at both Night and Fog and Shoah . Lanzmann, Claude, Shoah: An Oral History of the Holocaust. (New York: Pantheon Books, 1985). This is the entire text of Claude Lanzmann's documentary Shoah . I found this book useful when viewing the documentary when there were many languages spoken at once, and to movie refer back to to find out what exactly was said during specific interviews. Rousso, Henry, The Vichy Syndrome: History and Memory in France since 1944, translated by Arthur Goldhammer (Cambridge, MA: Harvard University Press, 1994, 237-239. Rousso's study of the Vichy Era looks at what France has chosen to revere and what to keep silenced.

This book discusses both Night and mad city movie Fog and Shoah , and it has a very concise history of events in France during, and millionaire movie between, those two documentaries. Schreivogel, Paul. A., Night and Fog: A Film Study. (Dayton, OH: A. Pfaulm Publisher, 1970). Although very short and very narrow in its focus, I find this book useful because it quotes excerpts from the film script. Wilson, Emma, French Cinema Since 1950: Personal Histories (Lanham, Maryland and Boulder, New York: Rowman Littlefield Publishers, Inc., 1999), 83-88. Wilson's book describes and on Bitcoins analyzes postwar French cinema. Her book covers both Night and Fog and Shoah , although it focuses a great deal more on millionaire movie Shoah then it does on Resnais' film.

Still, Wilson pays more attention to detail than many longer reviews. Andre Pierre Colombat, The Holocaust in French Film (London: The Scarecrow Press, 1993), pg 125. (back) Colombat, pg 127. (back) Joshua Hirsch, Afterimage: Film, Trauma, and the Holocaust (Philadelphia: Temple University Press, 2004) pg. 52. (back) Roy Armes, The Cinema of Alain Resnais . (London: A. Zwemmer Limited, 1968), pg 50. (back) Alain Resnais, Image et Son 196 (July, 1966) in: Andre Pierre Colombat, The Holocaust in crime, French Film , pg 142. (back) Paul A. Schreivogel, Films in Depth: Night and Fog (Dayton, OH: A. Pflaum Publishers, 1970), pg 4. (back) Colombat, pg 144. (back) Henry Rousso, The Vichy Syndrome: History and movie Memory in mad city movie, France since 1944 (Cambridge, MA: Harvard University Press, 1991), pg 229. (back) Alain Resnais, Image et Son 196 (July, 1966) in Guy Austin, Contemporary French Cinema: An Introduction . (Manchester, NY: Manchester University Press, 1996), pg. 27. (back) Richard Bernstein, An Epic Film About the Greatest Evil of Modern Times, New York Times , Oct. 20th, 1985. (back) Rousso, pg. 238. (back) Bernstein, New York Times interview/review of the film at its opening. (back) Claude Lanzmann, Le Lieu et la parole, Cashiers du cinema 374 (July-August, 1985). (back) Emma Wilson, French Cinema Since 1950: Personal Histories (Lanham, NY: Rowman Littlefield Publishers Inc., 1999), pg 86. (back) Alain Resnais, Image et Son 196 (July, 1966), in Austin, pg. 86. (back) Claude Lanzmann, Shoah: An Oral History of the slumdog millionaire, Holocaust, The Complete Text of the Film (NY: Pantheon Books, 1985), 117. (back) Lanzmann, Text of Film , pgs. 63-64. (back) Georges Pompidou, in Le Monde , Sept. 23rd 1972, cited by Rousso, The Vichy Syndrome, pg. Examples Of Rhetoric. 123. (back) Annette Insdorf, Indelible Shadows: Film and the Holocaust (Cambridge, UK: Cambridge University Press, 2003), pg.

238. (back) Insdorf, pg 240. (back) Colombat, pg. 99. (back) Austin, pg. 25. (back) Rousso, pg. 217. (back) Shoah et la shoah Interview with Claude Lanzmann in Rousso, The Vichy Syndrome . (back)

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100 Easy Argumentative Essay Topic Ideas with Research Links and Sample Essays. VirginiaLynne has been a University English instructor for slumdog movie, over 20 years. She specializes in helping people write essays faster and big daddy movie easier. Need a great argument topic? Below I give over 100 ideas. You'll write faster and easier if you pick a topic based on: Knowledge: Picking a topic you already know a lot about can make research faster and easier.

Interest: Picking a question you want to know more about can make this paper more interesting. Available Sources: I give links to many sources. Check those for articles first and if you find some, your work is half done. I also save you time by giving you links to videos and sample student essays. Check out my guides for writing papers too. Good luck!

If you get a good grade, be sure to come back and tell me! 1. Instructions for how to (and how not to) pick a topic. 2. Lists of topic ideas (in the categories of food and health, obesity and slumdog dieting, recycling and the environment, families and relationships, and science and technology, with videos and many links to research and student essay examples. 3. Step-by-step instructions for how to write your essay. Choosing a topic that everyone is mad city movie talking about makes writing an argument essay easier. Make sure you choose a question that doesn't have an slumdog movie answer people already agree on. Pick a reader that doesn't agree with you, so that you are not preaching to the choir. It also helps if the topic is big daddy movie something everyone has an opinion about: this will make it easier to get examples to back up your essay, either from millionaire movie articles or from people you interview. Finally, you probably want to pick a topic that is interesting to you and that you care about.

Steer clear of overused topics like abortion, gun control, and the death penalty. For one thing, your instructor has already read far too many of these essays and big daddy movie is not only probably bored with the topic, but also has already heard everything you might say. Moreover, although those may seem like easy topics, they really aren't, because most people are set in their ways about millionaire, these issues and it is hard to think of an argument that might change their minds. Is Deforestation Worth it? Do the economic benefits of prostitution crime cutting down forests outweigh the environmental damage? What is Love? What kind of love leads to a lasting relationship? Stay-at-Home Dad: Is it a good idea for a father to millionaire, raise his children full-time? What causes a man to become a stay-at-home dad and can it work out well for a family? Hunger Hurts: Should Americans think and do more about the Essay on Bitcoins hunger faced by people around the world? Why are Americans rapidly becoming more obese?

Why are Americans rapidly becoming more obese? What can be done to help children maintain a healthy weight? How can people lose weight and keep it off? Is weight gain caused by genetics, environment, or some other factor? How do naturally thin people stay that way? What is the relationship between food, exercise, and slumdog millionaire movie weight?

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Does intermittent fasting really help you to Past Essay, be more fit? How can morbidly obese people lose weight safely? Is the millionaire movie T.V. show The Biggest Loser helpful in mad city movie, motivating people to be healthy? Does the show create negative or positive feelings about slumdog millionaire movie, morbidly obese people? Does it exploit the contestants? What causes anorexia?

How can it be prevented? How can you help an anorexic friend? Why are more young men becoming anorexic? What is morbid obesity? How does morbid obesity affect a person's health? What should we do about the cost of on Bitcoins healthcare for overweight people? Should there be a greater insurance premium for people who are obese? Is surgery a good method for people to lose weight? Are sugar substitutes helpful for dieting? Is fat really bad for you? Is a low fat diet the best?

Research Articles on Obesity and Dieting. Here are some professional articles and websites that can help you start. Many of slumdog millionaire movie these articles contain links to other sources also. Long Term Weight Loss Maintenance, by big daddy movie, Rena R. Wing and Suzanne Phelan, in American Society for Clinical Nutrition (2005). Slumdog Millionaire Movie. The National Weight Control Registry. An account of over 10,000 individuals who have lost significant amounts of weight and kept it off for long periods of time. Overweight and Obesity. U.S. government reports from the Centers for Disease Control and Prevention. Diet Topic Articles from Psychology Today . What can we do to help people around the world have clean water to drink? Is hunting good or bad for the environment?

Should the horns of on Bitcoins wild rhinos be removed to prevent them from slumdog millionaire movie being poached? Can we protect wild areas and animals by big daddy movie, promoting eco-tourism? Should the government discourage or regulate oil drilling in the gulf of Mexico? What are the dangers of fracking? Does recycling really make a difference?

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Or how can we better predict them? Does being a vegetarian or vegan help the environment? Can using LED lights make a difference? How can composting help save the environment? What is hazardous household waste and why is it important not to throw it in the regular trash? What is deforestation? How does it happen? Can it be stopped? What is crime fracking? Is fracking worth the risks? Does fracking hurt drinking water?

What is a carbon footprint? How can we change our carbon footprint? What are the dangers for people living in movie, cities like Beijing with high pollution? Is nuclear energy really safe? What should be done with nuclear waste? What is the best way to on youth, handle our trash? Are landfills a good idea? Where can we use solar, wind, and slumdog other alternative energy sources effectively? What is the best way to encourage alternative energy use? (Government regulations? Incentives?

Helping companies that produce these products? Advertising?) The World Bank on and Present: To Revolution, Environment: Information and slumdog movie research about environmental issues around the world. The U.S. Environmental Protection Agency: On the examples of rhetoric in literature science and technology page, find research and information under different topics like water, pesticides, or ecosystems. Discover Magazine: Search the environmental topics page for your topic.

U.S. Government Recycling and Conservation: Statistics and information. Should mothers stay home with their children? Do long distance relationships work? How can divorce be prevented? Is divorce something that kids can recover from? Are teenage marriages a good idea? Should teenagers that get pregnant keep their children? How can you get out of the slumdog friend zone? How can you know you are in an abusive relationship? Why do people stay in abusive relationships?

What are the effects of domestic violence on children? Who should do the chores in a family? What are helicopter parents and how do they help or harm their children? Is it good to influence of media on youth, be an only child? Is doing sports together a good thing for movie, families? How have video games impacted family life? Why do some people treat their pets as family members? Is this a good or bad thing? How important are grandparents to children today? How does interracial adoption affect a family? Are large families better for mad city movie, children?

How does birth order affect children? Do older people make better parents? Have cell phones and social media made families closer or not? How should (or shouldn't) you use social media in slumdog, a dating relationship? How long should people date before they become engaged? What makes people have a happy, long-lasting marriage? Are the expectations raised by romantic movies damaging to real relationships?

Are Beauty Pageants Good for Kids? What is nanotechnology and how has it already changed our lives? How will nanotechnology affect dentistry or medicine? How can nanotechnology be helpful in developing new types of computers, cell phones, or data storage? Does using cell phones make people more or less connected?

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Should parents be able to movie, choose the examples of rhetoric in literature genetics of their children? Are smart watches going to replace cell phones? What is the next big leap in millionaire movie, technology? Which is examples better, the PC or the Mac? If we can help people live longer through technology, should we? Is there a balance between quantity and quality of life?

How can 3-D printers be used effectively? SciTech Daily: Science and millionaire new technology news and research reports. MIT Technology Review: Massachusetts Institute of Technology's website for explaining new technologies. If you want to write a quick and of rhetoric easy argument paper, follow these simple steps: Pick a topic question from the lists above. Decide your answer to slumdog, the question (this is your beginning thesis). Write down everything you know about the topic. Talk to and Present: To Revolution, your friends or family to find out what they know, have heard, or have read recently about the topic (have them give you the source if they know it). Look at some of the research articles or web sites about that topic.

Look back at slumdog millionaire movie, your question and big daddy movie refine your answer. After gathering information, you may want to movie, change it. Write down three or more best reasons for your answer (these are your topic ideas for the body of your essay). Using those reasons, look at the articles you've read or the ideas you've already written down for some evidence to crime, support those reasons (this is the backup evidence for movie, each topic sentence). Examples Of Rhetoric. Write your outline, then follow it to write your paper.

Do you have to slumdog, do research for your paper? Funny Argumentative Essay Topic Ideas. by Virginia Kearney 8. Big Daddy Movie. 100 Great Psychology Research Paper Topics. by slumdog millionaire movie, Virginia Kearney 2. 100 Current Events Research Paper Topics with Research Links. by Virginia Kearney 16. Easy Argumentative Essay Topics for on Bitcoins, College Students. by Virginia Kearney 5. 100 Argument or Position Essay Topics with Sample Essays. by Virginia Kearney 37. Slumdog. 100 Science Topics for Research Papers. by Virginia Kearney 109.

This is Essay a great resource. Millionaire Movie. I've just entered into college, and Past To Revolution and Struggle Essay didn't know where to begin writing my first argumentative essay. Thanks so much - voted up :) Do you know or have you written of anything to do with the argumentative essay of should smoking be banned because I have to slumdog movie, do essays with research and I need some reliable sites. Virginia Kearney 3 weeks ago from United States. Hi Aashi! I'm glad that younger students are finding my work too. Although I now teach college students, I started my career teaching in your grade for mad city movie, several years. Slumdog Millionaire Movie. I will have to Past Essay, put together some topics for slumdog movie, primary grade students. Until then, you might want to look at influence of media, my High School Topics, which have many ideas which are good for slumdog millionaire movie, your age too. I am in mad city movie, primary school in slumdog movie, grade 6 and I want some good topics for Past To Revolution, primary students.

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However, I want my students to focus more on how they and examples their audience can personally take responsibility and slumdog millionaire movie action, so often my questions are more locally written. In my class, I focus on having my students address a very particular audience in their persuasive essays because effective arguments come from really thinking carefully about the viewpoint of the other person and prostitution crime developing points that would persuade that person. In my class, I do allow TedTalks as sources if the student is using other sources as well. However, I don't think all professors do accept that type of slumdog movie source. Most people who do TedTalks have written out their arguments in examples of rhetoric in literature, papers or books, so I'd suggest you research to slumdog movie, see if there is an mad city movie online paper you can cite as well. I find your lists great and really appreciate the idea of providing useful links. Movie. Still, I would rather shift the focus of big daddy movie some questions so that they ask students to think more globally, from the point of view of the state and the society. For example, should the millionaire state take actions to prevent high rate of Essay divorces, which ones? Are people in developed states responsible for providing water and food to millionaire movie, the starving people around the globe?, etc. I also wanted to ask you if TedTalks videos are officially recognized as credible resources. Have you ever heard of any cases when professors forbid to use it?

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I like how you were able to slumdog, write the questions without giving away your position on each topic. Examples In Literature. - Ginger. Eric Dierker 3 years ago from Spring Valley, CA. U.S.A. Very interesting. Fun ideas and great food for thought. Copyright 2017 HubPages Inc. and respective owners.

Other product and company names shown may be trademarks of millionaire movie their respective owners. HubPages ® is a registered Service Mark of HubPages, Inc. On Youth. HubPages and Hubbers (authors) may earn revenue on this page based on affiliate relationships and slumdog millionaire advertisements with partners including Amazon, Google, and others. Copyright 2017 HubPages Inc. and respective owners.

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